A limited-edition, 6-CD box set of 90 tracks including 78 previously unreleased in the US and 48 previously unreleased anywhere. All tracks are studio (not live) recordings and include all studio B sides, the full Peace album (aka the "Manor Sessions"), complete radio sessions, 12" mixes, alternate versions and out-takes, unreleased masters and work-in-progress demos. The box also includes an 80-page booklet. Some copies include a bonus 7th CD of additonal mixes and extended versions released on the original singles.
Ex-husband Andrew Lloyd Webber's Really Useful Records can be accused of scraping the bottom of the barrel in its second compilation of old Sarah Brightman tracks released to take advantage of the singer's international popularity due to her albums Time to Say Goodbye, Eden, and La Luna, all recorded for a different company. Happily, even the bottom of the barrel contains some excellent material, even after the cream was skimmed off with The Andrew Lloyd Webber Collection. During and after her marriage to Lloyd Webber, Brightman performed on the Original London Cast recording of The Phantom of the Opera and recorded the albums The Songs That Got Away (1989) and Surrender (1995), and that's the material sampled here, that is, the remaining tracks that weren't used on The Andrew Lloyd Webber Collection.
Digitally remastered and expanded edition of this 1985 release including bonus tracks. Dangerous Music was starting to generate good sales figures when his record company (Bronze Records) went bust and the record vanished from the shops. Now it's back 25 years later, with bonus tracks and eagerly awaited by fans all over the world. Robin George enjoyed a worldwide hit single in 1985 with Heartline and his stock was high as he entered the studio to record a follow up to his critically acclaimed album Dangerous Music. The album had the working title Dangerous Music II and was produced by acclaimed producer Gus Dudgeon. By the end of 1986 the album was completed and ready to go but his then management company went to market and because of the success of Heartline sought ridiculous advances and as such the album was never released-until now.
After the international success of the self-produced "Fox on the Run," Sweet broke away from songwriters Nicky Chinn and Mike Chapman in an attempt to shake their "pop puppets" and took a stab at conquering the hard rock album market. Sadly, a lot of their post-hit singles period output lacked the tight songwriting and hooks that made them famous, and this problem is in evidence on Off the Record…
By all rights, the album that came to be known as Big Star's Third should have been a disaster. It was written and recorded in 1975, when Alex Chilton's brilliant but tragically overlooked band had all but broken up. As Chilton pondered his next move, he was drinking and drugging at a furious pace while writing a handful of striking tunes that were often beautiful but also reflected his bitterness and frustration with his career (and the music business in general). Production of the album wasn't completed so much as it simply stopped, and none of the major figures involved ever decided on a proper sequence for the finished songs, or even a title. (The album was also known as Sister Lovers and Beale Street Green at various times.) And yet, Third has won a passionate and richly deserved cult following over the years, drawn in by the emotional roller coaster ride of the songs, informed by equal parts love, loss, rage, fear, hope, and defeat.