T.rex

The third Tyrannosaurus Rex album, and their debut U.S. release, Unicorn was also the first to steadfastly state the game plan which Marc Bolan had been patiently formulating for two years – the overnight transformation from underground icon to above ground superstar…

The third Tyrannosaurus Rex album, and their debut U.S. release, Unicorn was also the first to steadfastly state the game plan which Marc Bolan had been patiently formulating for two years - the overnight transformation from underground icon to above ground superstar. Not only does it catch him experimenting with an electric guitar for the first time on record, it also sees Steve Peregrin Took exchange his bongos for a full drum kit, minor deviations to be sure, but significant ones regardless. And listen closely: you can hear the future. The opening "Chariots of Silk" sets the ball rolling, as slight and lovely as any of Bolan's early songs, but driven by a tumultuous drum roll, a pounding percussion which might be the sound of distant gunfire, but could as easily be a petulant four-year-old, stamping around an upstairs apartment…

Tyrannosaurus Rex's fourth album, A Beard of Stars, was the turning point where Marc Bolan began evolving from an unrepentant hippie into the full-on swaggering rock star he would be within a couple of years, though for those not familiar with his previous work, it still sounds like the work of a man with his mind plugged into the age of lysergic enchantment. "A Daye Laye," "Pavilions of Sun," and the title tune sure sound like the writings of an agreeably addled flower child, and Bolan's vocals are playfully mannered in a manner that suits his loopy poetry. However, after shunning the corrupting influences of electric guitars on Tyrannosaurus Rex's early recordings, A Beard of Stars finds Bolan plugging in as he turns on, and he sounds like he's clearly enjoying it; the wah-wah solo that closes "Pavilions of Sun" demonstrates how just a little electricity gave this music a new lease on life…