Kurt Masur's achievement is defined above all by his relationships with two orchestras exemplifying vastly different traditions. Having spent some 20 years as Kapellmeister of the Gewandhausorchester Leipzig, which traces it's roots to the 15th century, he became the transformational music director of the New York Philharmonic, an embodiment of the New World. Through all this, his musical integrity remained consistent. As the New York Times wrote: "He brought to the podium the ardent conviction that music-making was a moral act that could heal the world." Masur himself put things more simply: "My goal is meaningful playing… What counts is to be able to communicate the composer's meaning to the audience… When I conduct Beethoven, I wouldn't like to replace Beethoven. He should be in your mind, not me." This 70CD set consolidates the entirety of the catalogues that Masur built for EMI and Teldec between 1974 and 2009.
While J.S. Bach’s Suites for solo cello are, by definition, closely identified with Mstislav Rostropovich as the supreme cellist of his time, the B flat concerto of Carl Philipp Emmanuel Bach represents a more unusual departure. It is programmed here with two concertos in D major by Italian composers of the elder Bach’s generation, Antonio Vivaldi and Giuseppe Tartini.
…The Threepenny Opera was first performed at the Theater am Schiffbauerdamm in Berlin in 1928. Despite an initially poor reception, it became a great success, playing 400 times in the next two years. The performance was a springboard for one of the best known interpreters of Brecht and Weill's work, Lotte Lenya, who was married to Weill…
Limited 96 CD set. Conductor, pianist, composer and media personality, André Previn excelled in a diversity of musical genres and idioms. A child prodigy in his native Berlin, he moved to the USA in 1939 and made his early career in Hollywood, winning four Academy Awards. His time as Principal Conductor of the London Symphony Orchestra (1968-1979) established him as a major interpreter of symphonic repertoire, particularly Russian, French and British music - "The very definition of good conducting," wrote Gramophone of his celebrated LSO version of Tchaikovsky's Nutcracker.
There were two Alban Berg Quartetts: the ABQ that recorded for Teldec in the '70s and the one that recorded for EMI in the '80s, '90s, and '00s. The first ABQ and the second ABQ shared two members first violinist Günter Pichler and cellist Valentin Erben and a common approach to chamber music more intellectual than emotional, more restrained than explosive, and more deep-down satisfying than superficially thrilling.