Thιrteen Days

Three Days Grace's self-titled debut showcases the simplicity of their music, which is both the band's biggest strength and biggest weakness. The album's taut arrangements and grinding but melodic sound are quintessential alt-metal, suggesting a much poppier, less cerebral Helmet (or among Three Days Grace's contemporaries, Chevelle), and while the production is mostly simple and crunchy, it occasionally delves into Linkin Park-like atmospheres. At its best, the band's focus and adherence to alt-metal's formulas – coupled with tight songwriting and some unexpectedly pretty choruses – results in a strong tracks that are more memorable than the work of many of their peers. "I Hate Everything About You" was Three Days Grace's big single and remains the band's best song, gaining most of its power from its directness and bluntness in examining a dysfunctional relationship.

If the heady days of soulful blues soaked 60’s and 70’s rock ignite your heart and the likes of Hendrix, Led Zeppelin, Bad Company, and Free send your emotions and pulse rate soaring then a new and equally impactful treat is just waiting for your adoration. The Brimstone Days is a band from Malmö, Sweden, a trio who live and breathe those inspirational days whilst their creativity sows those old seeds within its own unique imagination to bloom impressive and powerful songs as within their new album On A Monday Too Early To Tell…

The Danish group Days was formed in Copenhagen in the winter 1967/1968 by Peter Lindhe (drums), John Kjaergaard (vocals/rhythm guitar), Ole Fester (vocals/bass) and Lars Reinau (vocals/lead guitar). The band's repertoire was mainly rock and blues oriented with cover versions of songs from John Mayall's Bluesbreakers, Cream, Jimi Hendrix and The Rolling Stones. During 1968/1969, Peter Lindhe and Lars Reinau started writing original material to the band and the repertoire started changing from rock/blues cover versions to self-composed, more lyrical songs with elements of The Beatles, Procol Harum and (early) Deep Purple. In 1969, Jorn Anker (Hammond organ) joined the band and he, too started contributing new original songs to the band. The Days LP was recorded in the early summer of 1970 and in 1971 the band split up…

Nine Days Wonder played very complex and jazzy Krautrock with unusual vocal sections and extreme musical ideas, aking to the hardest moments of Van Der Graaf Generator or Kraan. Maybe the most extreme is the opening, long ''Fermillion'', a unique mix of Krautrock with endless jams, Heavy Rock with strong guitar moves, Funk with sweet sax solos and Jazz Rock with measured, improvised passages, spoiled by the needless, Zappa-esque but hillarious vocals towards the end. ''Moss Had Come'' is a short Psych/Hard rocker with a sudden acoustic break at the middle, featuring some impressive sax moves. ''Apple Tree'' is possibly the best track of the album. Again a furious and complicated jazzy Krautrock with sax in evidence is nicely blended with a softer vocal moment and very good Hard Prog sound towards the end with intricate guitar work…

The sole album of this great, but underrated British progressive band was released in 1975 on small Retreat Records. This powerful but still unknown album LP was mostly inspired by early Genesis records, but some Yes and Camel influences were also palpable. The quartet offered varied, imaginative and beautifully-arranged songs with excellent and quite heavy guitar parts, inventive and truly amazing keyboards phrases, very complex and busy drumming and fine vocals. This memorable will definitely appeal to all fans of creative, progressive music.

100 Days of Code
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37 sections • 643 lectures • 79h 18m total length
2023-05 | e-Learning | English | MP4, ZIP | 33.30 GB

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