Founding member of the Jefferson Airplane and longtime mainstay of Hot Tuna, Jack Casady was one of the first rock bass players to explore the full melodic potential of his instrument. While the underlying sound of Dream Factor is distinctly blues oriented, Casady deviates from the norm with a pair of electrifying inclusions. Guests include Jorma Kaukonen, Ivan Neville and Paul Barrere. Jack Casady has been a very important figure for the development of the electric bass, an instrument on which he developed an unmistakable timbre - rubbery and metallic - and a style that was harmonically complex and highly dramatic.
Although the European market has been flooded with unauthorized Jefferson Airplane live recordings that are bootlegs in all but name, there has also been a series of apparently legitimate releases with excellent sound and packaging issued by Charly in the U.K. and previously including At Golden Gate Park and Last Flight. This third release in the series comes chronologically in between its predecessors, having been recorded in September 1969.
Essential: a masterpiece of psychedelic-rock music
This aptly titled album is really exactly that: the crown of their creation. And the artwork is simply a good explanation of what this music can do to your mind.
Only the second Hot Tuna studio set in 30 years, and the band's first in two decades, the outfit circa 2011 is a decidedly older, wiser, and more laid-back unit than the amped-up boogie-ers responsible for a series of successful albums in the '70s. That's a mixed blessing, though, because the Tuna seem to have lost some of their fire during their long layoff from the studio. Where once Jack Casady's thunderous bass played tag with Jorma Kaukonen's blustery, psychedelic blues guitar lines, the duo – now fleshed out with mandolin player Barry Mitterhoff and drummer Skoota Warner – is now content to be a pretty decent but far less distinctive folk, blues, and singer/songwriter act.
Jorma returns with his the twelfth solo studio album on Red House Records, Ain't in No Hurry, a knock out collection of songs that show Jorma remains at the top of his game. Ain't in No Hurry is a blend of American roots, blues, rockers and Jorma originals including a lost Woody Guthrie lyric that Jorma and producer Larry Campbell put to music.
The other night I rented the movie Zodiac and watched it for the first time. Having missed it during its theatrical run, I had looked forward to watching it for some time. So anyway, one of the first things I picked up on about the movie was its very inventive use of the music from the same time period the gruesome serial murders occured in Northern California — stuff like Donovan's "Hurdy Gurdy Man" for example.