The Circle

The Teskey Brothers have rounded out the year by announcing their The Circle Sessions live five-track EP, with one of the tracks a rendition of the Ray Charles classic, Drown In My Own Tears, out today.

The Beatles’ revolver has become a new era album that uniquely identifies what it was. The music nature of the Beatles that extended the Oldies of the 50’s left the residue up to around “BEATLES FOR SALE”, the treatment of the world is idle, and actually “HELP” has “four people The idol “is given to the title. But the high artistic glimpse of that “HELP” was deepened with “RUBBER SOUL”, indicating that the Beatles were becoming an existence that does not fit within the idol category of one. Until then, I had been doing a tour in parallel with recording, but after stopping the tour in 1966, I will combine the styling of studio work and make ‘Sargent Peppers’. This album gets a high reputation both inside and outside, but it seems that “revolver” was the reason for its production. Indeed there are also reasons for time, but there are many songs that are difficult to reproduce on the stage with the technology at the time, without having played one song from the “revolver” at the stage. The “Paperback · Writer” which was the same period recording that was only released as a single was only played on the 1966 tour, “Rain” on the reverse side uses reverse rotation of the tape It was impossible. The Beatles must have perceived the real pleasure and entertainment of studio production with ‘revolver’. It should have thought that if it takes more time it will be able to create a more dense album. That was connected to Sargent Pepper’s discontinuance of the tour activity afterwards.

The Beatles’ revolver has become a new era album that uniquely identifies what it was. The music nature of the Beatles that extended the Oldies of the 50’s left the residue up to around “BEATLES FOR SALE”, the treatment of the world is idle, and actually “HELP” has “four people The idol “is given to the title. But the high artistic glimpse of that “HELP” was deepened with “RUBBER SOUL”, indicating that the Beatles were becoming an existence that does not fit within the idol category of one. Until then, I had been doing a tour in parallel with recording, but after stopping the tour in 1966, I will combine the styling of studio work and make ‘Sargent Peppers’. This album gets a high reputation both inside and outside, but it seems that “revolver” was the reason for its production. Indeed there are also reasons for time, but there are many songs that are difficult to reproduce on the stage with the technology at the time, without having played one song from the “revolver” at the stage. The “Paperback · Writer” which was the same period recording that was only released as a single was only played on the 1966 tour, “Rain” on the reverse side uses reverse rotation of the tape It was impossible. The Beatles must have perceived the real pleasure and entertainment of studio production with ‘revolver’. It should have thought that if it takes more time it will be able to create a more dense album. That was connected to Sargent Pepper’s discontinuance of the tour activity afterwards.

A comprehensive, accessible guide to the fascinating history of Zen Buddhism—including important figures, schools, foundational texts, practices, and politics.

The Staple Singers One of the most powerful vocal groups of the '60s and '70s, the Staple Singers embraced an impressive stylistic diversity while always staying true to their roots in gospel harmonies. Led by Roebuck "Pops" Staples, the quartet first rose to stardom in the gospel music community before detouring into folk and a socially conscious gospel and R&B hybrid, then enjoying their greatest success with a handful of soul music hits for Stax Records in the '70s. Throughout their evolution, the constants in their work were the rich blend of their vocals, delivered with a churchy mix of joy and restraint, Roebuck's subtle but emphatic guitar textures, and in the Stax era, the glorious lead vocals of Mavis Staples.

The Staple Singers One of the most powerful vocal groups of the '60s and '70s, the Staple Singers embraced an impressive stylistic diversity while always staying true to their roots in gospel harmonies. Led by Roebuck "Pops" Staples, the quartet first rose to stardom in the gospel music community before detouring into folk and a socially conscious gospel and R&B hybrid, then enjoying their greatest success with a handful of soul music hits for Stax Records in the '70s. Throughout their evolution, the constants in their work were the rich blend of their vocals, delivered with a churchy mix of joy and restraint, Roebuck's subtle but emphatic guitar textures, and in the Stax era, the glorious lead vocals of Mavis Staples.

This publication, now in its second edition, includes an unabridged and annotated translation of two works by Johann Heinrich Lambert (1728–1777) written in the 1760s: Vorläufige Kenntnisse für die, so die Quadratur und Rectification des Circuls suchen and Mémoire sur quelques propriétés remarquables des quantités transcendentes circulaires et logarithmiques. The translations, as in the first edition, are accompanied by a contextualised study of each of these works and provide an overview of Lambert’s contributions, showing both the background and the influence of his work. In addition, by adopting a biographical approach, it allows readers to better get to know the scientist himself.