The Eye OF Key

Artension was the brainchild of Shrapnel Records head Mike Varney. He received a demo from wunderkind keyboardist Vitalij Kuprij and progressive axeman Roger Staffelbach of a project they called "Atlantis Rising". Varney began to look for other musicians to round out the lineup. After a lot of consideration, Varney presented Vitalij and Roger with vocalist John West, Bassist Kevin Chown, and drummer Mike Terrana. The result was a band called Artension (named by the band for a combination of the words "art" and "tension") and a CD called "Into the Eye of the Storm".

Digitally remastered and expanded two CD edition of this 1986 album. The Art of Noise first appeared in 1983 with a song in their heart, a beat in their soul, and an ignition key in their hand. Formed at a time when the reverberations of punk, post-punk and new wave could still be felt, they were determined to be a different kind of group, a group that set themselves outside the then currents of fashion and style, a group that were the missing link between The Monkees and Talking Heads, ABBA and Kraftwerk, Frank Zappa and The Archies. Their unique sounding instrumental compositions relied heavily on the innovative use of digital samples and computers to create their famous sound collages. Their first China album, In Visible Silence has been newly remastered and expanded with unreleased recordings taken from the original album sessions, single versions, and a multitude of mixes - some available on CD for the very first time.

Art of Noise (also The Art of Noise) were an English avant-garde synth-pop group formed in early 1983 by engineer/producer Gary Langan and programmer J. J. Jeczalik, along with arranger Anne Dudley, producer Trevor Horn and music journalist Paul Morley. The group had international Top 20 hits with "Kiss" and the instrumental "Peter Gunn", which won a 1986 Grammy Award. The group's mostly instrumental compositions were novel melodic sound collages based on digital sampler technology, which was new at the time. Inspired by turn-of-the-20th-century revolutions in music, the Art of Noise were initially packaged as a faceless anti- or non-group, blurring the distinction between the art and its creators. Collection includes: (Who's Afraid Of?) The Art Of Noise! (1984); In Visible Silence (1986); In No Sense? Nonsense! (1987); Below The Waste (1989); The Ambient Collection (1990); The FON Mixes (1991); The Seduction Of Claude Debussy (1999).

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