The Magazine From August 2014

As part of The Stranglers' celebration of their Ruby Anniversary, the definitive collection of the B-side recordings they made whilst signed to Epic is released for the first time, via their own label. Appropriately, as befits a band marking forty years together, Here & There: The Epic B-sides Collection 1983-1991 gathers 40 tracks across 2 CDs and is also released as a 40 track digital package. The Stranglers released no less than 13 singles in the UK during this period, which saw them produce five albums: four studio and one live. The Stranglers signed to Epic Records in 1982 having been with United Artists / Liberty since 1977. The change of label coincided with changes in marketing policy across the UK industry - often dubbed "the Frankie Goes to Hollywood effect". Previously, The Stranglers' had released only one 12" single - an extended version of Bear Cage in 1980 - but from 2nd Epic single, Midnight Summer Dream until 1990, each release had a 12" version which required extra studio or, increasingly, live tracks to "add value" to the package.

Sarah Vaughan - The Mercury Recordings 1954-1960 (2014) {3CD Set, Not Now Music NOT3CD144}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.17 Gb | MP3 @320 -> 533 Mb | Artwork | 5% repair rar
© 1954-60, 2014 Mercury / Not Now Music | NOT3CD144
Jazz / Vocal Jazz / Standards / Traditional Pop

Legend has it that, on a Wednesday night in 1942, the 18-year-old Sarah Vaughan went to the Apollo Theatre in Harlem to compete in an amateur talent contest for the chance to win $10 and a week-long engagement. Although the events leading up to this are uncertain, there is no doubt that Vaughan sang ‘Body And Soul’ and won. Vaughan was contracted by the Apollo in spring 1943 to open for Ella Fitzgerald.