One of the most admired guitarists of the early 21st century, Jack White helped restore the popularity of punk-blues as the frontman of the White Stripes. Meanwhile, he widened his reach by participating in a range of other projects, including the Raconteurs, the Cold Mountain soundtrack, Loretta Lynn's comeback vehicle Van Lear Rose, the Dead Weather, and a solo career. Although White's nasal voice and loose, fiery guitar delivery were mainstays of the White Stripes' early work, the group branched out as its reputation grew, building upon an initially minimalist sound with elements of metal, backwoods country, pop, and early rock & roll. White followed a similar evolution in his own career, and by the time the White Stripes celebrated the tenth anniversary of their debut album, the frontman had already issued two pop-oriented records with the Raconteurs, starred in several films, collaborated with Electric Six, duetted with Alicia Keys, and produced records for a number of artists.
This is it, the absolute perfect starting point for neophyte fans who want to discover the Stanley Brothers. The years between 1949 and 1952, when the Virginia brothers were signed to Columbia Records, are largely considered their most fruitful period. Certainly this lineup of their backing band, the Clinch Mountain Boys, was the strongest; besides Carter Stanley's assured leads and Ralph Stanley's heartbreaking tenor, these recordings introduced mandolin player Darrell "Pee Wee" Lambert and his one-of-a-kind high-baritone harmonies, the secret ingredient that made the Stanley Brothers' recordings from this era sound like nothing that had come before in bluegrass.
Yaron Herman blends elements of jazz, classical, and the music of his native Israel in this intriguing trio session with bassist Chris Tordini and drummer Tommy Crane. The trio's delicious opener is "Follow the White Rabbit," which makes deft use of repeated riffs and often seems inspired by Keith Jarrett's trio recordings. His tense "Saturn Returns" defies categorization, as it freely draws from many diverse styles. Herman's solo piano vehicle "Cadenza" is dramatic with classical overtones, yet it sounds as if it were improvised on the spot in the studio. While there are no standards, Herman's inspired choice and tender interpretation of the neglected gem "Baby Mine" - written by Frank Churchill and Ned Washington for the Disney film Dumbo…
The GRAMMY award-winning sextet, Earls of Leicester, have returned with a triumphant live album. Taped over two nights at Nashville's historic Country Music Hall of Fame and Museum, the robust 23-song set, features 14 new recordings, and fan favorites from their two previous studio albums. The all-star outfit of Jerry Douglas, Shawn Camp, Barry Bales, Johnny Warren, Charlie Cushman, and Jeff White bring the Foggy Mountain Boys to life, capturing a night of pure Flatt & Scruggs magic.