Although former New Christy Minstrels singer Barry McGuire scored a fluke novelty hit with the Bob Dylan-styled folk-rock protest anthem "Eve of Destruction" in the summer of 1965, neither he nor producer Lou Adler's startup label Dunhill Records seems to have had a long-term plan for his solo career beyond trying to score another hit single. Naturally, Dunhill quickly issued an Eve of Destruction LP, filling the tracks with McGuire covers of recent folk hits and more originals by P.F. Sloan, who'd penned the hit. Sloan also wrote the follow-up singles "Child of Our Times" and "This Precious Time," neither of which made the Top 40. By the end of the year, Dunhill had another McGuire LP, This Precious Time, again mixing Sloan songs with other people's hits like "Do You Believe in Magic" and "Yesterday." That is the first of two McGuire albums combined on this two-fer CD reissue.
Home In This World: Woody Guthrie’s Dust Bowl Ballads is an interpretation of Guthrie’s landmark 1940 album Dust Bowl Ballads. The album features an all-star cast, assembled by Randall Poster, that interpret the songs on the only non-compilation album of Guthrie’s career, including everyone from Grammy Award winners Lee Ann Womack and John Paul White to poet laureate Mark Lanegan and country and Americana star Lillie Mae, Shovels and Rope, mandolinist Chris Thile, Colter Wall, Watkins Family Hour, Waxahatchee, Lost Dog Street Band, The Felice Brothers, Secret Sisters, Swamp Dogg, and Parker Millsap.
This Is Smooth Jazz: The Box Set features a whopping three discs of music, all of it firmly anchored in the smooth jazz idiom. With such a wide scope of performances – a grand total of 36 songs and few repeat performers – This Is Smooth Jazz functions as an excellent introduction to the style. And if you're already acquainted with the laid-back sounds of smooth jazz, this album will at the least enlighten you to some of the many different approaches to the genre. There's no shortage of variety here. Some of the many performers featured on This Is Smooth Jazz include Duncan Millar, Fredrik Karlsson, Yada Yada, Chris Standring, Modern Tribe, Act of Faith, and many more. As mentioned, this collection serves as a wonderful starting point for the neophyte while simultaneously offering a checklist of sorts for seasoned smooth jazz listeners.
Debbie Davies played with Albert Collins and that experience carries her through her debut album, Picture This. All the way through the album, she plays and sings with a barely restrained energy, spitting out burning leads and positively wailing her vocals. The album is a mixture of solid originals and classic covers, including a version of "I Wonder Why" that features a cameo from Collins. On the whole, Picture This is an exciting debut.
Neil Young's second solo album, released only four months after his first, was nearly a total rejection of that polished effort. Though a couple of songs, "Round Round (It Won't Be Long)" and "The Losing End (When You're On)," shared that album's country-folk style, they were altogether livelier and more assured…
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A stone killer from funky flute player Bobbi Humphrey – one of her early albums for Blue Note Records, and a set that's a perfect summation of the best sides of her talents! The album's got a slightly different feel than Bobbi's work with Larry Mizell – yet still sports a similar approach that blends her amazingly spiritual flute lines with rich larger backings – in this case arranged by Horace Ott, Alphonse Mouzon, and Wade Marcus, in a sublime blend of electric jazz and soaring strings – all with a feel that's almost like some lost blacksploitation soundtrack!
Returning to the large ensemble sound of her 2005 success, Christmas Songs, pianist/vocalist Diana Krall delivers a superb performance on 2006's From This Moment On. Although having received a largely positive critical response for her creative departure into original singer/songwriter jazz material on 2004's The Girl in the Other Room, here listeners find Krall diving headlong into the Great American Songbook that has long been her bread and butter. While she's always been a pleasant presence on album, Krall has developed from a talented pianist who can sing nicely into an engaging, classy, and sultry vocalist with tastefully deft improvisational chops.
The new record features ten compositions by Pat Metheny, who is joined by long-time drummer, Antonio Sanchez, Malaysian/Australian bassist Linda May Han Oh, and British pianist Gwilym Simcock as well as the Hollywood Studio Symphony conducted by Joel McNeely. Meshell Ndegeocello (vocals), Gregoire Maret (harmonica), and Luis Conte (percussion) are special guests on From This Place, Metheny’s first album of new material since 2014’s Kin.
"From This Place is one of the records I have been waiting to make my whole life," Metheny says. "It is a kind of musical culmination, reflecting a wide range of expressions that have interested me over the years, scaled across a large canvas, presented in a way that offers the kind of opportunities for communication that can only be earned with a group of musicians who have spent hundreds of nights together on the bandstand."