TV Guide 22 June 2015

Vintage Trouble - The Swing House Acoustic Sessions (2014) {2015, EP, Japanese Edition with Bonus Tracks}

Vintage Trouble - The Swing House Acoustic Sessions (2014) {2015, EP, Japanese Edition with Bonus Tracks}
EAC Rip | FLAC (Img) + Cue + Log ~ 252 Mb | MP3 CBR320 ~ 119 Mb
Full Scans | 00:33:47 | RAR 5% Recovery
Blues, R&B, Funk, Soul, Rock | Sony Music Labels #SICX 3

Steeped in the sounds of classic blues, soul, and rock & roll from the '50s and '60s, Vintage Trouble fuse the style of the past with the swagger and cool of the present day, and have won a devoted fan following in the United States and the United Kingdom with their passionate live show. Vintage Trouble were formed in 2010 by vocalist Ty Taylor, guitarist Nalle Colt, bassist Rick Barrio Dill, and drummer Richard Danielson, all of whom were living in Los Angeles, California at the time. Taylor had previously worked with the bands Dakota Moon, Camp Freddy, and Ghosthounds, and was a contestant on the music competition series Rock Star: INXS. Swedish-born guitarist Colt had briefly been part of Dakota Moon's road band, and had also been part of the short-lived Ghosthounds.
Royal Scottish NO, Frederic Talgorn - John Barry - Born Free: Original Motion Picture Score (1966) Re-Recording 2000

John Barry - Born Free: Original Motion Picture Score (1966)
Re-Recording 2000, Royal Scottish National Orchestra, conducted by Frederic Talgorn

EAC | FLAC (Tracks) + cue.+log ~ 219 Mb | Mp3, CBR320 kbps ~ 144 Mb | Scans included
Orchestral Score | Label: Varèse Sarabande | # VSD-6084 | 00:53:33

Though John Barry achieved popular recognition for the swinging, loungey, noir-ish soundtracks he composed for the James Bond films, he moved to the front rank of film composers with his score for 1966's BORN FREE. Stylistically, the music of BORN FREE is miles removed from Barry's Bond soundtracks, though the composer's fondness for brass fanfares, stirring strings, and lush, intricate charts with stunning dynamic range is still intact. On the whole, however, the music to BORN FREE has a playful, innocent quality, evoking the nature of the wild animals at the film's center. As the movie is set in Africa, Barry employs a range of African percussion instruments, and sections of flute music (which often seem to echo the sounds of birds or other creatures). The arrangements are expansive and sweeping, giving rise to the sensation of open plains, and Barry's recurring musical themes parallel the film's action (the track titles indicate plot events). The score is, for the most part, surprisingly subdued, with occasional bursts of energy (mirroring tumultuous events onscreen) and its stirring title theme the exceptions. Barry won an Academy Award for the score in 1966.