Ten years after her acclaimed album Solo with the first two cello suites of Johann Sebastian Bach, violist Tabea Zimmermann now sets her sights on Suites Nos. 3 and 4. She pairs them with excerpts from György Kurtág's cycle Games, Signs & Messages , selecting six numbers to form her own personal homage to Bach.
Brahms was one of the first composers to write for pairs of violins, violas and cellos, blazing the trail for Dvořák, Tchaikovsky, Korngold and Schoenberg. His two sextets are early works, composed in 1860 and 1865 respectively. Brahms wrote to his publisher that the second was in ‘the same joyful vein’ as the first. Yet the composer’s life was sombre at this time: his mother died suddenly and his romantic relationship with the soprano Agathe von Siebold ended in failure; indeed, the first movement of the sextet opens with a viola motif on the notes A-G-A-D- B-E (AGADHE in German notation)
Tabea Zimmermann and Kirill Gerstein return to the studio to record the follow-up to their highly praised first duo album. The new disc includes spellbinding performances of three late works by significant 19th century composers: Brahms mature Sonata in F minor, Schubert s melancholic Arpeggione Sonata, and Franck s splendid Sonata in A major, all masterly performed on viola.
This disc continues Thomas Demenga's project of juxtaposing Bach cello suites with contemporary compositions—by Elliott Carter (12/90), Heinz Holliger, and now Sandor Veress, whose music we can hear growing out of, and away from, its neo-classical roots in Bach's polyphony.
This colorful and wide-ranging program brings together two virtuoso soloists, violist Tabea Zimmerman and pianist Javier Perianes, for an exploration of repertoire from Spain to South America featuring works by the greatest composers the countries of these regions have produced. Spanish folk songs arranged by Falla are paired here with compositions by Casals, Granados, Montsalvatge, Piazzolla and the beloved aria from the fifth Bachiana brasileira by Brazil's Villa-Lobos.