Aretha Franklin has simply been one of the greatest singers of the modern generation, and whether bringing her powerful, passionate voice to bear on gospel standards, songs from the Great American Songbook, jazz standards, pop ditties, or deep Southern soul and R&B, she has always had the presence – much like Ray Charles – to make anything she touches unmistakably hers. Franklin began her career in gospel when she was still a teenager, and her amazing vocal talents, coupled with her fine piano playing, marked her as a once-in-a-lifetime kind of artist, qualities very apparent to legendary talent scout John Hammond, who signed her to Columbia Records.
The Complete Studio Collection. All eight studio albums from 1981’s ‘Face Value’ to 2010’s ‘Going Back’ in one Box Set for the first time on CD. After an incredible comeback in 2016 that included a #2 charting compilation album, 300,000 catalogue sales, sold-out shows at the Royal Albert Hall and a headline slot at British Summer Time; Rhino looks to round out a hugely successful catalogue campaign with a new Complete Studio Collection the brings together all eight of Phil Collins’ albums for the first time. The set includes all eight studio albums from 1981’s ‘Face Value’ to 2010’s ‘Going Back’ – five of which were UK #1. This CD slipcase box features mini gatefold wallets and the remastered music from last year’s re-issue campaign.
Six decades of music, sixty-five years of song, generations tied together through the force of will of a matriarchy of powerful women. This is the story of African-American gospel quintet The Legendary Ingramettes, founded by Maggie Ingram and taken up by her daughter Almeta Ingram-Miller as a way to continue Maggie's legacy after Maggie's passing in 2015. Inspired by the black gospel male quartets of the 1940s and 50s, The Legendary Ingramettes bring roof raising harmonies and explosively powerful vocals, all driven by the voices of women.
Take a Look Inside was recorded in 1971 in London - while the semi-obscure guitarist and songwriter Mickey Baker was living in Paris. The session players include Chris Spedding, Conrad (Reg) Isidore (later of Robin Trower fame), Fuzzy Samuels, and a host of others on percussion and backing vocals. One of the he most startling tracks here is the medley of Spirit's "Fresh Garbage" and "Water Woman." The segue is seamless, the music is raw and immediate, and the loose feel of the musicians in the studio is utterly warm and inviting. Baker then slips into the R&B classic "I'll Be Doggone," and then his own "Checking Out My Garden." Everything here is utterly present and loose - its closest comparison is a feeling like that inspired by Delaney & Bonnie's Motel Shot album…
Just short of a decade into their incredibly successful and influential career, Korn went into Take a Look in the Mirror publicly stating their hopes to record a fresh-sounding album, a seemingly simple task that they somewhat ended up accomplishing. They needed a fresh album - one that differed from their past couple, the similar-sounding Issues (1999) and Untouchables (2002), yet at the same time wouldn't alienate their notoriously fickle nu-metal fan base. Issues and Untouchables had been fine albums, but Korn definitely needed a change - if they wanted to remain relevant, that is. There's a lot of turnover in the metal world because there's always the next big thing (whether it's thrash, grindcore, alt-metal, rap-metal, or whatever), and the rare bands that do last (like, say, Tool)…
Take a Look at Me Now… pairs the two inaugural installments of Phil Collins' deluxe reissue series of 2016 – 1981's Face Value and 1993's Both Sides, each containing an extra disc of bonus material – in a convenient little box. Apart from empty slots dedicated for forthcoming reissues, there is no bonus here but it's a good way to not only get both of these volumes at once but to have a nice, tidy home for all of the eventual deluxe reissues at once.