Takuro Okada – Konoma

Reseña en Zona Negativa: Finales del siglo XIX. Japón. El Shogunato Tokugawa se tambalea durante el violento período del Bakumatsu. Izō Okada es un samurái de la clase más baja de la región de Tosa desesperado y acosado por las deudas lo cual le obligará a convertirse en el asesino a sueldo de su maestro Takeichi y defender su causa: un Japón sin castas, divisiones ni diferencias sociales. No obstante, Izō Okada pronto decidirá seguir su propio camino en solitario, negándose a pertenecer a ningún amo, apelando a su libertad y labrándose una destacada fama como uno de los mercenarios más temidos y habilidosos de su época.

Growing up in rural Chichibu, Mari Okada wanted nothing more than to leave her truant lifestyle behind to live in "the world outside." This screenwriter faces her own anxiety as she embraces her past through the words she screams on the page.

A cornerstone film of the French New Wave, Alain Resnais’ first feature is one of the most influential films of all time. A French actress (Emmanuelle Riva) and a Japanese architect (Eiji Okada) engage in a brief, intense affair in postwar Hiroshima, their consuming fascination impelling them to exorcise their own scarred memories of love and suffering. Utilizing an innovative flashback structure and an Academy Award-nominated screenplay by novelist Marguerite Duras, Resnais delicately weaves past and present, personal pain and public anguish, in this moody masterwork.

As the complexity and importance of web activity multiplies, the success of any endeavor depends on utilizing the most advanced intelligent techniques when designing tools for the modern age.