Tales 5 Reasons

The label début of the Exclusive Chandos Artist Laura van der Heijden explores the rich musical heritage of Bohemia. She was born in England to Dutch-Swiss parents, and her career highlights already include winning the BBC Young Musician competition (aged just fifteen), the Edison Klassiek Award 2018 (for her début album) and BBC Music Magazine's Newcomer Award in 2019. Laura writes: 'Jâms and I first met in 2017, when I was mesmerised by the sensitivity of his musicianship and the colours he managed to create on the piano. Our first concert together took place in the summer of 2018 and included Janácek's Pohádka. Both of us felt incredibly drawn to this piece and also to Janácek's musical language. One of the reasons we were particularly enamoured of Pohádka (a Czech word which loosely translates as 'A Tale') was the focus of the piece on storytelling and how that invited us to let our creativity and imagination flow. This is the common thread spun throughout the repertoire that we have selected for this album; all the pieces embody the notion of passing on ancient folk tales, tales which have lived amongst peoples and across lands for centuries.

Folk, Country and Roots band. Debut album release 9th of may at Minard Ghent. Follow our adventures here. Ashling derives from aislinge an old Irish word which means “a vision” or “a dream".

Inspired by the golden years of Hard Rock and Hair Metal, these Swiss rockers are more than ready to shake the world with their brand new upbeat, electrified album. Proudly waving the flag of 80’s Hard Rock since their inception in 2004, Swiss rockers Black Diamonds are more than ready to shake the world with an electrifying Rock N’ Roll extravaganza titled Once Upon A Time, their third full-length album and in my humble opinion their strongest and most cohesive release to date. If major bands such as Gotthard and Krokus helped put Switzerland on the map of Hard Rock with their flammable music, it’s time for this farily new talented quartet formed by Michael Kehl (vocals, guitar), Andreas Rohner (lead guitar), Andi Fässler (bass) and Manuel Peng (drums) to take the lead and keep the rock n’ roll party going on in the Land of Milk and Honey.

Tom Waits’ Glitter and Doom Live doesn't fall into the various traps that many other concert recordings do, though it does have its problems. This double-disc set marks his third live effort in his nearly 40-year career, each one summing up his career to the point of its release. The first, Nighthawks at the Diner, issued in 1975 on Asylum, is regarded by many as one of the greatest live albums of all time. Big Time, released during his tenure at Island in 1986, is hotly debated in fan circles. It is likely that Glitter and Doom Live will be too, but for different reasons. The musical performances here were culled from Waits’ historic sold-out tour of the U.S. and Europe. He compiled and sequenced the tracks himself, intending to make them sound like a single show. The material leans, understandably, on his recordings with the Anti label…

Eric Woolfson sings The Alan Parsons Project That Never Was is an album by the progressive rock musician Eric Woolfson, co-creator with Alan Parsons of The Alan Parsons Project, as well as main songwriter and manager of the band. Released in 2009, this was Woolfson's final album before he died of cancer in December of that year. The album includes songs that remained unreleased since the Project time for various reasons; however, as Woolfson himself remarks in the booklet, Parsons' dislike for some of Woolfson's compositions would have often caused them to be excluded from a Project album in its very early stages - such as, for example, "Steal Your Heart Away", an "unashamedly commercial" song with a conventionally sentimental lyric, which Parsons, in Woolfson's words, would have absolutely detested…

Various Artists - Baby, How Can It Be? Songs of Love, Lust and Contempt from the 1920s and 1930s (2010) {Dust-To-Dust 3cd Set}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 459 Mb | MP3 @320 -> 425 Mb
Full Artwork @ 300 dpi (png) -> 75 Mb | 5% repair rar
© 2010 Dust-to-Digital ‎| DTD-16
Country Blues / Acoustic Blues / Bluegrass / Country / Early American Blues / Old-Timey

Dust to Digital always does an impressive job of providing compelling thematic material in artfully designed packaging. This has been true since their debut offering, Goodbye, Babylon, that showcased Southern sacred song and oratory. Baby, How Can It Be? Songs of Love Lust and Contempt from the 1920s and 1930s (the label's 16th release), follows suit. Assembled from the 78 collection of John Heneghan, this three-disc, 66-track set looks at its title subjects from all sides. It travels disc by disc from the first flush and ardor of romance, through the heat and passion of eros, to the tales of terror, depression, and violence that occur when the flower of belladonna replaces the rose's bloom.

After Ella Fitzgerald disbanded her own orchestra (the former Chick Webb band) in 1941, she was free to record for Decca in a variety of musical contexts. This set puts together, in chronological order, all of the studio sides she made for that label between 1942 and 1953 singing duets with others singers, such as Louis Armstrong or Louis Jordan, or small vocal groups.