One strongly suspects that the existence of this five-CD box, in tandem with a handful of other packages of this type, was largely responsible for getting Paul McCartney (and others) to take a serious look at what was in EMI's vaults, resulting in the release of the Beatles' Anthology series. In 1993, however, this was the only game in town: 124 choice outtakes, live concert tracks, demos, overdub sessions, and rehearsals covering the group's known recordings from 1958 through 1970 – it's essentially a best-of the Beatles' unauthorized output, from what were then the best-known sources of every track represented…
A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer. Alma eventually confesses her secrets to a seemingly sympathetic Elisabeth and finds that her own personality is being submerged into Elisabeth's persona.
Syd Barrett was the charismatic leader of the early Pink Floyd. Even if the unique genius of the "Crazy Diamond" shined very briefly, his memory haunted the band during all its lifespan.
These DVD are the reference collection of all filmed archives involving Syd in a way or another: movies, clips, recording sessions, promo trailers, TV sessions and much more.
This remarkable DVD includes rare TV and film performances, an especially rare radio interview with Mike Wallace, an audio-only rehearsal session with pianist Jimmy Rowles, audio interviews with friends and fellow musicians, an interactive timeline and an evocative photo-document gallery featuring hundreds of dates and images, from rare photos to personal letters, plus Lady Day’s complete recording history for major record companies. Performance highlights include three from 1956's Stars Of Jax TV that are seen here for the first time since their original broadcast, Holiday’s first appearance on film, Duke Ellington’s "Saddest Tale," and the classic "Fine And Mellow" with Lester Young, Coleman Hawkins, and jazz greats.
Culled from New York Philharmonic broadcasts spanning 75 years, this remarkable 10-disc compilation testifies to the strong-willed yet chameleon-like orchestra's virtuosity and versatility under a diverse assemblage of podium personalities. Stylistically speaking, the earlier items are the most interesting, revealing, for instance, a more vibrant Otto Klemperer and freer Arturo Toscanini than their later commercial efforts sometimes suggest. Other artists are heard in repertoire which they otherwise didn't record: Fritz Reiner's Brahms 2nd, Leonard Bernstein's Berg and Webern, and a wrenching concert version of Bartók's Bluebeard's Castle under Kubelík's direction, to name but a few. From program notes to transfer quality, not one stone is left unturned to ensure first-rate results.