The title is a bit of a ringer, since this isn't a collaborative effort in any way, shape, or form. Muddy & the Wolf contains a half-dozen live Muddy Waters tracks with backing from Mike Bloomfield, Paul Butterfield, and Otis Spann, the material culled from the Fathers & Sons sessions. The set also features tracks by Howlin' Wolf from his London sessions with Eric Clapton and Ringo Starr. File under "just OK."
Omar Dykes, of Omar & the Howlers, pays tribute to blues icon Howlin' Wolf on Runnin' with the Wolf. All of the tracks on this disc were written by either Wolf or Willie Dixon except for the Omar original "Runnin' with the Wolf." Dykes stays close to the original versions of these songs, which most listeners have heard in some form or other: "The Red Rooster," "Back Door Man," "Smokestack Lightning," "Wang Dang Doodle," and "Killin' Floor." That doesn't mean these are straight covers. The passion in the performances is undeniable, but so is the fun these musicians are obviously having. Dykes has the perfect voice for this project and is complemented by Derek O'Brien on guitar, Ronnie James on bass, Ted Roddy on harp, and Wes Starr on drums along with Mark Kazanoff and Les Izmore on saxophones, Nick Connolly on organ, and Mike Buck on percussion.
Trails to the Cosmic Vibrations is a split LP that brings together two bands from Asia with outwardly contrasting dispositions, while sharing sympathetic resonances.
This three-CD box set currently rates as the best - and most digestible - overview of Howlin' Wolf's career. Disc one starts with the Memphis sides that eventually brought him to the label, including hits like "How Many More Years," but also compiling unissued sides that had previously only been available on vinyl bootlegs of dubious origin and fidelity. The disc finishes with an excellent cross section of early Chicago sessions, including classic Wolf tracks like "Evil," "Forty Four," "I'll Be Around," and "Who Will Be Next?" Disc two picks it up from there, guiding listeners from mid- to late-'50s barnburners like "The Natchez Burning" and "I Better Go Now" to the bulk of the Willie Dixon classics. The final disc runs out the last of the Dixon sessions into mid-'60s classics like "Killing Floor," taking the listener to a nice selection of his final recordings…
This three-CD box set currently rates as the best - and most digestible - overview of Howlin' Wolf's career. Disc one starts with the Memphis sides that eventually brought him to the label, including hits like "How Many More Years," but also compiling unissued sides that had previously only been available on vinyl bootlegs of dubious origin and fidelity. The disc finishes with an excellent cross section of early Chicago sessions, including classic Wolf tracks like "Evil," "Forty Four," "I'll Be Around," and "Who Will Be Next?" Disc two picks it up from there, guiding listeners from mid- to late-'50s barnburners like "The Natchez Burning" and "I Better Go Now" to the bulk of the Willie Dixon classics. The final disc runs out the last of the Dixon sessions into mid-'60s classics like "Killing Floor," taking the listener to a nice selection of his final recordings…
This three-CD box set currently rates as the best – and most digestible – overview of Howlin' Wolf's career. Disc one starts with the Memphis sides that eventually brought him to the label, including hits like "How Many More Years," but also compiling unissued sides that had previously only been available on vinyl bootlegs of dubious origin and fidelity…