Taneyev Overture, The Oresteia; Symphony No. 4 Järvi

Hugo Alfvén (1872-1960) tends to be thought of as a ‘one-work wonder’, known only for his Swedish Rhapsody No.1, ‘Midsummer Vigil’. This disc, the fourth in Naxos’s series of Alfvén recordings, ought to change that. The Festival Overture is an exuberant curtain-raiser but the Fourth Symphony, composed in 1919, is a truly wonderful work. Its programme, hinted at in the subtitle ‘From the Outermost Skerries’, was described by the composer as ‘the tale of two young souls. The action takes place in the skerries, where sea rages among the rocks on gloomy, stormy nights, by moonlight and sunshine…the moods of nature are no less symbols for the human heart.’

On the 18th December, 1892 at the Imperial Mariinsky Theatre, 'The Nutcracker' was first introduced to the world. Now, almost 125 years since that opening night and from the very same hall, the Mariinsky’s current Artistic Director, Valery Gergiev, reveals only his second recording of Tchaikovsky’s ballet masterpiece. A perfectly judged realisation of one of classical music’s most cherished works.

Sergey Ivanovich Taneyev (1856-1915) is an exceptional figure in 19th-century Russian music. He had nothing in common with the Russian National School. Taneyev's abstract approach to composing was in stark contrast to the outbursts of emotion that we encounter in many of his contemporaries. People tend to call him the Russian Brahms, were it not for Taneyev's disapproval of his music. Taneyev was a composition student of Tchaikovsky and, as a pianist, provided the premieres of Tchaikovsky's works for piano and orchestra. A close friendship developed between the two, which would last until Tchaikovsky's death, despite the sincerity with which Taneyev was one of the few in the Tchaikovsky area to dare to criticize his work.

Concluding their series of the orchestral music of Johannes Brahms on Profil, Jukka-Pekka Saraste and the WDR Sinfonieorchester Köln present the Symphony No. 4 in E minor, the Academic Festival Overture, and the Tragic Overture on this third volume, thus rounding out a standard set of the seven works that are usually packaged together.

Szell's performance is again of quite a different order, one of the very finest ever put on disc, white hot even beyond Bernstein's. The late John Culshaw, producer at the sessions in Walthamstow Assembly Hall in 1962, used to enjoy telling the story of winding up an already angry George Szell. That inspired tyrant of a conductor was furious at the start of the session to find that many players were not the same as those who had just given the concert performance with him. When he came back to listen to the first playback Culshaw deliberately kept the controls rather low, making the result seem dull. That prompted Szell, back on the podium, to unleash a force in the subsequent takes that has to be heard to be believed.

Soli Deo Gloria is proud to release the last instalment of its successful Brahms Symphony series which sees John Eliot Gardiner and his Orchestre Révolutionnaire et Romantique explore the music of Johannes Brahms. This album is a celebration of the Fourth Symphony and the various pieces that contributed to its making.

If there is one Mendelssohn symphonic recording that makes the case for a more favorable reassessment [of the composer], it's this pairing of the Italian Symphony and some of the Midsummer Night's Dream music by Sir Charles Mackerras…. The clarity of texture here [in the Symphony] is extraordinary, even when the brass and winds add their clout. As a result, every line of Mendelssohn's orchestration comes through clearly, leaving a listener with a renewed respect for this composer's inventiveness…. The Midsummer Night's Dream music is even more miraculous….

The Cleveland Orchestra will release a new audio recording of Pyotr Ilyich Tchaikovsky’s Symphony No. 4 in F minor on Friday, December 1, 2023. Led by Music Director Franz Welser-Möst, the recording will be available worldwide for digital streaming and download in spatial audio on all major platforms. Tchaikovsky: Symphony No. 4 was recorded live at the Jack, Joseph and Morton Mandel Concert Hall at Severance Music Center, the home of The Cleveland Orchestra, during two community appreciation concerts in the fall of 2021.