The most surprising release of 2003 for every Tangerine Dream fan was most probably The Bootleg Box Set Vol. 1. Sanctuary Music, well known for their numerous re-releases of TD material of the Pink and the Blue Years era, had been very successful with a series of bootleg boxes by ELP and approached Tangerine Dream for the same type of thing. Since they wanted old material and were pressing to get these boxes into the pipeline as swiftly as possible, TD could not go into the process of scanning their own archives and restoring old tapes. So they chose to use readily available bootleg sources for the first two planned sets…
Another in the long line of soundtracks by Tangerine Dream is actually one of the strongest in concept for any film they have done. The movie has a high degree of tension and the score by T.D. does just the trick. They use mostly hard driving sequencer rhythms to maintain the tension of the film. Listeners will find that this is nearly how all of the music is composed. There is very little melody within the structures of the music. But even with this lacking, the score is very well suited and very listenable. A couple of nonsequencer tracks are also on the album and break up the hard rhythms pieces.
Esoteric Recordings' Reactive label is proud to announce the release of the first volume of an official bootleg series by the legendary Tangerine Dream. Featuring recordings made at Reims Cathedral, France in December 1974 and at the Mozarthalle, Mannheim, West Germany in October 1976, this 4 CD set has been compiled with the official approval of Tangerine Dream and features two concerts that were voted as some of the finest bootlegs in existence in a recent poll of fans. The concert at Reims Cathedral has gone down in Tangerine Dream history as a legendary event. The music performed by Edgar Froese, Christopher Franke and Peter Baumann was exemplary, although the circumstances surrounding the staging of the concert led to a ban on further performances in Cathedrals by The Vatican…
Tangerine Dream is a German electronic music band founded in 1967 by Edgar Froese. Tangerine Dream are considered a pioneering act in electronica. Their work with the electronic music Ohr label produced albums that had a pivotal role in the development of the German musical scene known as kosmische ("cosmic"). Their "Virgin Years", so called because of their association with Virgin Records, produced albums that further explored synthesizers and sequencers, including the UK top 20 albums Phaedra (1974) and Rubycon (1975).
Tangerine Dream scored director Michael Mann's film debut, Thief (released as "Violent Streets" outside of the U.S. market), adding their patented pulses, blips and whooshes to the film's highly stylized visual scenes. While TD's electronic music is a natural fit for soundtracks, it doesn't bring out the best in the band; for the most part, this soundtrack contains swatches of a larger canvas, building up a small head of steam in the span of four or five minutes but not raising the musical discussion above the level of mere mechanical chitchat. Most of the songs follow a set pattern, with Chris Franke slurring his sequencers under a thin fog of synthesizers, topped by a piercing and pithy melody.
Originally part of a fan-based live bootleg recording project called Bootmoon, this recording of the pioneering and influential German electronic outfit Tangerine Dream is part of a series of unadorned live performances (the band habitually added post-production instrumentation and otherwise altered its sound on its official live releases). This mid-1980s performance in Cleveland presents a series of cinematic-sounding compositions that make full use of the available electronic technologies of the period, including sequencers and synthetic percussion, to heighten the sense of musical drama.
In late 2003 TD surprised their fans with the announcement of Rockface, a live recording from the 1988 North America tour. The double album was finally released on December 18th, 2003 and features a virtually untouched soundboard recording of the third-last gig of that tour, recorded in Berkeley/San FranciAfter several bootlegs and fan releases this album is the first official recording from that tour featuring the short-time line-up Froese/Haslinger/Wadephul. The sound quality is excellent for a live album, though not always studio standard…
2016 four CD live archive release. Esoteric Recordings' Reactive label is proud to announce the release of the second volume of an official bootleg series by the legendary Tangerine Dream. This set includes a 1978 Paris concert as well as a 1980 show taped in East Berlin. Formed in Berlin in September 1967 by Edgar Froese, Tangerine Dream are simply one of the most important groups to have emerged on the German music scene of the late 1960s/early 1970s. Always guided by the genius of Edgar Froese, Tangerine Dream developed a sound based on the use of synthesizers and keyboards. In Britain, John Peel soon began to promote the band on his influential radio show which ultimately led to Tangerine Dream becoming one of the first acts to sign to Richard Branson's newly established Virgin label in 1973. Tangerine Dream's music would influence a whole host of musicians who followed in their wake, such as Julian Cope.
Esoteric Recordings’ REACTIVE label is proud to announce the release of the third volume of an official bootleg series by the legendary TANGERINE DREAM. Formed in Berlin in September 1967 by Edgar Froese, Tangerine Dream are simply one of the most important groups to have emerged on the German music scene of the late 1960s / early 1970s. Always guided by the genius of Edgar Froese, Tangerine Dream developed a sound based on the use of synthesisers and keyboards, first revealed on their marvellous “Alpha Centuari” album in 1971.
Primarily consisting of vocalist/musician John Balance and programmer/visual artist Peter Christopherson, along with various other members and contributors, Coil were one of the most beloved, mythologized groups to emerge from the British post-industrial scene. Initially established as an offshoot of Throbbing Gristle and Psychic TV in 1982, the band spent more than two decades making uncompromising, often unspeakably beautiful music that explored themes related to alchemy, dreams, the occult, drugs, and sexuality. They have remained a longstanding influence on genres such as goth rock, dark ambient, neofolk, techno, and experimental music in general.
In 2000, Coil shocked their fans by announcing a live concert at the Royal Albert Hall. This was to be, essentially, their first live performance, having had some abortive live shows in the very early 1980s…