Tchaikovsky Souvenirs: String Quartet No. 1; Album For The Young – Extracts; Souvenir de Florence

Arnold Schönberg. Austrian composer and painter, best known as the (putative) innovator of the twelve-tone technique. Leader of the Second Viennese School…

In all three quartets the Borodin play with an easy authority and what seems to be perfect style. There are no obvious interpretative quirks, there's nothing showy to get between the music and the listener, and it is evident that these musicians are thoroughly immersed in the authentic Russian tradition of playing Tchaikovsky's music. Technically and tonally they are first rate, and they combine well with the two excellent extra players in Souvenir de Florence.

Previous releases from the New York-based Escher Quartet include an acclaimed set of Mendelsohn’s six string quartets as well as an album with works by Dvořák, Tchaikovsky and Borodin. For their latest offering the members have looked closer to home, however, choosing to combine the quartets by Samuel Barber and Charles Ives. The disc opens with Barber’s String Quartet in B minor, containing the music for which the composer remains best-known: the second movement which he two years later expanded into Adagio for Strings.

These quartets are Juilliard specialties, and anyone wanting to hear this music played with a near ideal combination of virtuosity and humanity need look no further. Carter's quartets are not for the musically faint of heart: they are uncompromisingly thorny, intricate pieces that require lots of intense, dedicated listening. Very few people doubt their seriousness–or even their claims to musical greatness–but just as few people enjoy listening to them. Perhaps this spectacular set will encourage the adventurous to give them a shot. They're worth the time.

Schumann’s Album für die Jugend, Op. 68, of 1848 appears to be a collection of simple teaching pieces for children. But its unassuming exterior hides a wealth of inter-connected references: to Bach and to William Blake (whose Songs of Innocence and Experience it shadows), and to the life of the Romantic artist as reflected in nature and the passage of the seasons. Anssi Karttunen’s transcription for string trio brings a textural subtlety that enhances the unsuspected layers of meaning in Schumann’s modest miniatures – revealed, over 170 years after their composition, as an essential Romantic manifesto. The Zebra Trio consists of the Austrian violinist Ernst Kovacic, Canadian violist Steven Dann and Finnish cellist Anssi Karttunen, each bringing a vast experience in chamber music, in different styles and in working with living composers to the world of the string trio. The Zebra Trio has always mixed familiar master-pieces with new works and transcriptions, combining all of these in creative ways in their concerts.

It has been awhile since anyone recorded a new disc of Charles Ives' string quartets, and here the Blair String Quartet takes the plunge. He only wrote two numbered quartets that are like equivalents to night and day – the radiant, camp meeting-inspired First Quartet and the furiously punk-meets-transcendentalism Second. String Quartet No. 1, "From the Salvation Army," dates from 1898 and contains some of Ives' finest instrumental music couched in a reasonably stable and conventional style.