Tchaikovsky: Symphony No. 4 Bernstein

On the eve of his centenary in 2018, Sony Classical releases the most important collection, Leonard Bernstein’s classic American Columbia recordings, remastered from their original 2- and multi-track analogue tapes. This has allowed for the creation of a natural balance (for example, between the orchestra and solo instruments) that brings the quality of these half-century-old recordings, excellent for their time, up to the standards of today’s audiophiles. In addition, there has been a meticulous restoration of some earlier masterings in which LP surface noise was too rigorously eliminated at the expense of the original brilliance.

Dimitri Mitropoulos (1896-1960) was a Greek conductor who came to America in the 1930s and made many recordings with the Minneapolis Symphony Orchestra and the New York Philharmonic Orchestra. Like Wilhelm Furtwangler of Arturo Toscanini, Mitropoulos' height of popularity came just before the advent of modern sound technology, so that many of Mitropoulos' finest recordings are marred by distortion and background noises that may make those recordings practically un-listenable to some classical music enthusiasts (although the new Sony Mitropoulos set has advertised that most of those very rough recordings have been "remastered").

This Sony-made 30CD classical music collection covers almost all classical music, from the early Baroque period represented by Bach to the schools of classical music by Haydn, Mozart, Beethoven and Brahms represent romantic, national and even modern musical schools led by Schubert, Schumann, Mendelssohn, Dvorak, Tchaikovsky, Chopin, etc. representative, everything wonderful and vivid.

A luxurious and authoritative 64CD orchestral and concerto set, celebrating one of the world’s great orchestras and their 64-year relationship with Decca Classics. Few labels can claim to be so associated with a city as inextricably as Decca is with Vienna. No history of classical recordings would be complete without a chapter documenting how both Decca and the WP worked to perfect the art of recording in the city’s great concert halls, most notably in the famous Sofiensaal.

175 years ago, on March 28th 1842, Otto Nicolai raised the baton for the first ever concert of a new ensemble destined to become one of the world's great orchestras. The Wiener Philharmoniker 175th Anniversary Edition offers a hand-picked selection on 44 CDs of the best albums of the orchestra released on the label. Presented in a luxury box with matt lamination and hot-foil printed gold, the box includes original cover art, rare photographs from the Wiener Philharmoniker Archives as well as two new essays by Dr. Silvia Kargl, Head of the Historic Archive of the Vienna Philharmonic, and Richard Evidon. With a Bonus DVD of the famous 1989 New Year's Concert conducted by Carlos Kleiber.

Outstanding performances of de Falla's, Granados and Albeniz's works.Unmistakable quality of a past standard of excellence that is hardly matched today.Rodzinski's austere conducting and his vitality and precision refined and developed some of the major orchestras of the time.These Rodzinski's memorable recordings include the Maestro's farewell to the Royal Philharmonic Orchestra at his last recording session for Westminster.

The Philadelphia Orchestra has been called the Rolls Royce of orchestras. One of the so-called "Big Five" American orchestras, its many partisans assert that it is, and has been for over a century, the finest orchestra in the world.

Respighi: Pines of Rome, Bernstein: Symphony No. 2 "Age of Anxiety", Rimsky-Korsakov: Scheherazate, Dvorak: Symphony No. 9 "From the New World", Tchaikovsky: Symphony No. 4, Saint-Saëns: Symphony No. No. 3 “With Organ”, Rachmaninoff: Symphony No. 2, Mahler: Symphony No. 6 “Tragic”, etc. Recorded 2006-2019.

The young American pianist Claire Huangci, winner of the first prize and the Mozart prize at the 2018 Geza Anda Competition, continuously captivates audiences with her “radiant virtuosity, artistic sensitivity, keen interactive sense and subtle auditory dramaturgy” (Salzburger Nachrichten). With an irrepressible curiosity and penchant for unusual repertoire, she proves her versatility with a wide range in repertoire spanning from Bach and Scarlatti, to Bernstein, Gulda, and Corigliano.