Hibiscus Biscuit’s brand of psychedelic rock cavorts about between driving syncopated breakdowns, Melancholic lullabies and tight upbeat groove sections. Coupled with an immersive live experience headed by frontman Ricardo Moreira, their music is most likely to induce tears of joy from your third eye. Hailing from Portugal, Australia and Canada, members Ricardo, Sy, Jason and Aidan can usually be found lurking in back alleys after their shows.
A few years after the bands chance conception in Newtown’s Camperdown Park, 'Reflection of Mine' was conceived in the band's new home studio in the Blue Mountains. Cue a depraved 6 months avoiding the sunlight, and they emerge with their debut record and a brand new caffeine addiction…
Carmen Cuesta - Loeb set the pace for her album "Peace Of Mind" by working together with such top studio musicians as Chuck Loeb, Will Lee, Wolfgang Haffner and Bob James. Icing on the cake for her brand of "sophisticated pop" are the solos delivered by such jazz stars as Toots Thielemans, Bill Evans and Till Bronner. Alongside a number of her own compositions in a relaxed, atmospheric vein, jewels like the heart-rendering title song "Peace Of Mind", the catchy "Paralelo" or the romantic ballad "Bells", there are two cover versions in particular that stand out on the list of tracks.
Ritual of Love is the second album by American singer Karyn White, released in 1991. It contains her biggest hit "Romantic", as well as her other R&B hit "The Way I Feel About You". Jimmy Jam and Terry Lewis' production is the real star of White's sophomore album. And while the results aren't nearly as stunning as similar work they did with Janet Jackson around the same time (many of these songs sound like Rhythm Nation leftovers), there is a uniformity to the tracks that makes Ritual a more consistent and enjoyable listen than it should be.
Lucinda Williams does anguish so well it’s easy to forget that Happy Woman Blues is not just the title of her 1980 album, but also the way she thinks of herself. That identity comes across full force in Little Honey, the follow-up to 2007’s heavily brooding West, where her melancholy voice seemed to creak with sadness. Here, a full-throated Williams revels in the rejuvenation of her engagement to her manager/co-producer Tom Overby, over whom she’s positively giddy on "Real Love." Her newfound bliss opens the floodgates to a musical revival, as well, since Little Honey, her ninth studio album, ranks as one of her most diverse, ranging from pounding rock ‘n’ roll (the raw sex of the title track) to the Hank Williams-ish country blues of "Well, Well, Well," to "Knowing"'s ‘60s soul. But some of the finest writing appears on "Plan to Marry," as thoughtful a meditation on love as any time-honored sonnet. Just when Williams seems to have run the gamut, she pulls out a Stones-y (via Louisiana) cover of AC/DC’s "It’s a Long Way to the Top" as the punctuation mark. It all makes for a rollicking ride with one of roots-rock's most unpredictable and passionate artists.