Guitarist of Blues Wire, one of the best blues bands in Europe
Ronnie Earl and the Broadcasters and Stony Plain Records recently released the Hope Radio Sessions on DVD. Recorded at Wellspring Sound in Acton on April 21 and 22, 2007, the studio setting is responsible for an excellent sound quality - an aspect that often suffers in live recordings.
The close and intimate setting provides viewers the ability to feel part of the audience of friends and acquaintances present during the making of the Hope Radio CD, which is one of the Broadcasters best live releases to date……..
The names Larry Coryell and John Abercrombie are synonymous with Jazz fusion guitar for the past thirty odd years. With those two names on the masthead it is fair to assume that you're in store for phenomenal guitar playing. But the inclusion of Badi Assad, an unknown quantity for me, resulted in a performance of the likes I could not have anticipated. The guitar playing was superlative, with all three proving their virtuosity on many an occasion, but Assad was unlike any performer I have ever seen before. While her guitar playing is significant, her vocal gymnastics and percussion proficiency stole the spotlight from her more famous band mates.
Revered for his "Dust My Broom" riff, the biggest slide guitarist in postwar blues was a major link between traditional Delta and modern Chicago blues.
On first glance, Through the Listening Glass is a duet recording between bassist David Friesen and guitarist John Stowell, at the time two burgeoning jazz fusion musicians whose kinship to the world sound of the group Oregon is easy to recognize. As one absorbs this music, you realize this album could easily be titled "The Art of the Overdub." Using multiple basses and guitars, percussion instruments, and the soprano sax of Gary Campbell, Friesen and Stowell create landscapes and skyscapes of sound on sound, at times a bit busy, mostly reaching for inner truths and a connection to some other dimension. There's no modicum of earthiness, but they strive to reach for the heavens, and use the technology of the times to create conversations within basic texts, layering them to a degree approaching epiphany…
Whatever style you play, a little slap and pop goes a long way to color up your bass lines and solos. In this Slap Bass course, Stu unravels the ins and outs of this technique focusing on essential thumb skills and the underlying rhythmic and percussive qualities that are so important when employing tap moves.