In the late 60s jazz was at a turning point. Soul music had taken much of its black audience and rock’s intellectualisation was eating up its support amongst college students. The usual story told is that jazz split between those who went out and those who tried to make people dance. The story is more nuanced, and ‘If You’re Not Part Of The Solution’ tries to tell that story.
I really enjoy this cd. Sharon is known for his arrangements usually with strings for many vocalists (from Cole to Nancy Wilson, Whiting to Bennett) So I was surprised to hear his septet which sounds like any West Coast combo with Jack Sheldon, Shorty, Shelly, and Florence among others. The tunes are nice; each very different from each other with subtle colors. I passed over it twice until I realized the label FRESH SOUND imports never disappoint me.
To commemorate the 5 years of the disappearance of the true music Genius David Bowie , the jazz scene pays tribute to the legendary artist. Including: Keren Ann, The Puppini Sisters, Mike Garson, Bojan Z, Delta Saxophone Quartet Jen Chapen and Rosetta Trio, Caecilie Norby, Franck Wolf, Yelloworld and Eric Le Lann. Section of the Tracklisting was made by Jazz Magazine’s journalist Lionel Eskenazi.
Our Man in Jazz is an album by jazz saxophonist Sonny Rollins, recorded for the RCA Victor label, featuring July 1962 performances by Rollins with Don Cherry, Bob Cranshaw, and Billy Higgins. These performances have been described as contrasting from Rollins' previous style by moving to "very long free-form fancies, swaggering and impetuous".
Like the modern art that stormed the art world in the '50s, Patterns in Jazz is filled with bright, bold colors and identifiable patterns that camouflage how adventurous the work actually is. On the surface, the music is cool and laid-back, but close listening reveals the invention in Melle's compositions and arrangements of the standards "Moonlight in Vermont" and "Long Ago and Far Away." Part of the charm of Patterns in Jazz is the unusual instrumental balance of Melle's bari sax, Eddie Bert's trombone, Joe Cinderella's guitar, and Oscar Pettiford's bass. These low, throaty instruments sound surprisingly light and swinging. Compared to the two standards, Melle's original compositions are a little short on melody, but they give the musicians room to improvise, resulting in some dynamic music. Ultimately, Patterns in Jazz is cerebral music that swings – it's entertaining, but stimulating.
In 1965, encouraged by his rabbi, the 17-year-old Jonathan Klein wrote a selection of jazz themes for a Jewish Sabbath concert. Originally recorded in 1968 by an all-star cast of musicians that included Herbie Hancock, Thad Jones, and Ron Carter, the collection is a unique, free-flowing series of pieces that perfectly complement the accompanying Jewish Sabbath prayers, and provides a rare opportunity to hear these talented musicians performing in a unique setting that's at once creative and intensely devotional.