Robert Rodriguez teams with Frank Miller to direct this follow-up to Sin City from a script by Miller and William Monahan based on preexisting stories along with new ones written for the big screen. Josh Brolin stars in the adaptation of the comic miniseries (Sin City: A Dame to Kill For), which tells the backstory of Clive Owen's Dwight character as he is wrapped up in the thralls of femme fatale, Ava (Eva Green). Also new to the series is Joseph Gordon-Levitt, who plays Johnny, a mysterious gambler set on taking down his sworn enemy in a high-stakes game of life and death. Mickey Rourke, Rosario Dawson, Jessica Alba, and Jaime King return for the Dimension Films release, with Jamie Chung and Dennis Haysbert stepping into roles left by Devon Aoki and the late Michael Clarke Duncan.
No single box set–however sumptuously packaged, however comprehensively compiled–could hope to contain the bewildering, diverse array of musical styles and opinions that was brought together under the loose description "punk" between 1976 and 1979. There were so many fresh ideas and concepts–the final, irreversible emancipation of women in rock and the creation of an entirely new, non-R&B, guitar-based music form–contained within that one word, no compilation could hope to represent it fairly. 1-2-3-4 has a damn good try, though. Five CDs, featuring 100 tracks from the good, bad and downright ugly of punk.
Lounge music is a type of easy listening music popular in the 1950s and 1960s. It may be meant to evoke in the listeners the feeling of being in a place, usually with a tranquil theme, such as a jungle, an island paradise or outer space. The range of lounge music encompasses beautiful music-influenced instrumentals, modern electronica (with chillout, and downtempo influences), while remaining thematically focused on its retro-space-age cultural elements.
No single box set–however sumptuously packaged, however comprehensively compiled–could hope to contain the bewildering, diverse array of musical styles and opinions that was brought together under the loose description "punk" between 1976 and 1979.
Judas Priest was one of the most influential heavy metal bands of the '70s, spearheading the New Wave of British Heavy Metal late in the decade. Decked out in leather and chains, the band fused the gothic doom of Black Sabbath with the riffs and speed of Led Zeppelin, as well as adding a vicious two-lead guitar attack; in doing so, they set the pace for much popular heavy metal from 1975 until 1985, as well as laying the groundwork for the speed and death metal of the '80s….
Kurt Cobain made plenty of mistakes in his life, but loving the Vaselines was not among them. Nirvana covered three of their songs, and as Kurt might tell you if he were alive today, from 1986 to 1989 the Vaselines were the best pop band around…