Telephone

Highly anticipated debut record of South Korean DJ Peggy Gou. PG takes us back to the 90s by scratching the surface of alternative and trip-hop staples. Tracks like Back To One and Purple Horizon feel like they've been pulled straight from albums like Debut by Björk, or Blue Lines by Massive Attack.

The third and final album by the original Love's lineup, "Forever Changes" regularly draws epic praise. Rolling Stone described it as "elegant armageddon" when listing it as #40 in the "500 Greatest Albums Of All Time", and placing it in the context of the late '60s in another rave review, called it, "one of the most distinctive masterpieces in that era of masterpieces". A landmark work that's the L.A.-based psychedelic folk-rock pioneers' most fully realized studio effort, it was produced by band co-founder/frontman Arthur Lee and The Doors' engineer/producer Bruce Botnick, and released by Elektra in early '68. Highlights include "Alone Again Or", "Andmoreagain", "The Red Telephone", and "Live And Let Live".

"Moon Landing" is the fourth studio album from British singer-songwriter James Blunt. The album is produced by Tom Rothrock (Beck, Moby, Foo Fighters), who worked with James on his multi-platinum selling debut "Back To Bedlam" , with additional production from Martin Terefe (KT Tunstall, Martha Wainwright, Jason Mraz). The deluxe album format contains three additional tracks – “Telephone”, “Kiss This Love Goodbye” and “Hollywood”.

Stan Getz and Astrud Gilberto had a worldwide smash hit in 1964 with The Girl From Ipanema so it made sense to take the show on the road while the song, and bossa nova, were both still hot. Getz and Gilberto embarked on a six-month US tour and recorded two New York shows for this album. One show was at Carnegie Hall, but the show that inspired the album's title was at Greenwich Village's Café Au Go Go. Getz recorded this material with his new quartet, featuring a young Gary Burton on vibraphone, who also contributed two orginal songs. Gilberto earned a multi-album recording contract with Verve as a result of her touring with Getz.

Lewis Allan "Lou" Reed was an American musician, singer, and songwriter. He was the guitarist, vocalist, and principal songwriter of the Velvet Underground, and his solo career spanned five decades. Rolling Stone magazine voted Reed's 1989 "New York" album the 19th best of the 1980s. In 2003, Rolling Stone magazine's list of The 500 Greatest Albums of All Time included two albums by Reed as a solo artist: "Transformer" and "Berlin". This Collection brings together remastered anthology of groundbreaking studio and live album titles written, recorded by Reed as a solo artist following the 1970 dissolution of the Velvet Underground.

Careful What You Wish For is the seventh album by Scottish rock band Texas. The album went on to achieve gold status in the UK for 100,000 copies sold.

Blondie's 1978 breakthrough album "Parallel Lines" is packed with radio-ready songs, including two British number one singles and another top five UK hit. As a result, "Parallel Lines" made it all the way to the top of the UK Albums Chart while cracking the US top 10 and has sold over 20 million copies internationally. Both Rolling Stone and NME include "Parallel Lines" on their lists of the greatest albums of all time.

Released in 2014 by Decca Records, Unrepentant Geraldines marked Amos' return to pop and rock music after several releases in the classical genre. The album features a stripped-back, acoustic sound with many of the songs' arrangements consisting solely of Amos's vocals and piano. Deluxe Edition 2 LP set features 3 new tracks: "Dixie," "White Telephone To God," and "Forest Of Glass."

John di Martino is a jazz pianist, arranger and producer, based in New York City. He has been described as a "shape-shifter", for his creativity across musical genres. For this tribute to Lady Gaga, John and his Romantic Jazz Trio perform some of Gaga's biggest hits, including "Americano", "Paparazzi", "Born This Way", "Poker Face", "Telephone" and "Alejandro".

"Ahh… The Name Is Bootsy, Baby!" is Bootsy Collins' second solo album. Produced by George Clinton and Bootsy Collins, the album was the first P-Funk release to hit #1 on the Billboard Top R&B/Soul albums chart, in 1977. The album is considered by many to be Collins' best, a mix of dance tracks and slow jams.