Ten Years After: 1967 1974 Box

Nina Simone was a singular artist, and she went where she pleased, leaving behind a recorded legacy that is passionate, political, defiant, and delicate by turns, no matter what strain of folk, blues, jazz, or gospel she was dipping into, and she did it all with dignity, grace, and intelligence…

The Eagles captured live in performance in Europe in 1973 and the United States in 1974. Among the songs performed by the iconic group are 'Peaceful Easy Feeling', 'Witchy Woman' and 'Certain Kind of Fool'. With five number one singles, fourteen Top 40 hits, and four number one albums, The Eagles were among the most successful recording artists of the 1970s. At the end of the 20th century, two of those albums Their Greatest Hits (1971-1975) and Hotel California ranked among the ten best-selling albums ever, and the popularity of 2007's Long Road Out of Eden proved the Eagles' staying power in the new millenium.

The album that first gave shape to the established Yes sound, build around science-fiction concepts, folk melodies, and soaring organ, guitar, and vocal showpieces. "Your Move" actually made the U.S. charts as a single, and "Starship Trooper," "Perpetual Change," and "Yours Is No Disgrace" became much-loved parts of the band's concert repertory for many tours to come. ~ Bruce Eder

With the release of Fragile, Yes established themselves as one of the most progressive rock bands on the scene. With the recent addition of towering, silver-caped Rick Wakeman on keyboards, they raised their innovative brand of music to even dizzier heights. "Roundabout," which is still a standard on classic rock playlists, is an unusual track, coming in under four minutes, while "Heart of the Sunrise"–with its varied constituents molded together perfectly–goes on for as long as it needs. ~ Paul Clark

In 1977, with England still in the throes of the punk explosion, and art-rock becoming a decidedly unfashionable commodity, the longstanding progressive-rock institution Yes was making some of the most inventive and energetic music of its career on Going for the One. The album–which marked the return of star keyboardist Rick Wakeman to the band–features the FM hit "Wondrous Stories," one of frontman Jon Anderson's most limpid acoustic ballads. Elsewhere, the propulsive title track and the hyperactive "Parallels" find the band flirting with dissonance, belying Yes's image as a hidebound dinosaur. Elsewhere, the 16-minute "Awaken" ranks with the band's most ambitious long-form extravaganzas. ~ Scott Schinder

Either the finest record or the most overblown album in Yes' output. When it was released, critics called it one of the worst examples of progressive rock's overindulgent nature. Jon Anderson's fascination with Eastern religions never manifested itself more clearly or broadly, but one needn't understand any of that to appreciate the many sublimely beautiful moments on this album, some of the most gorgeous passages ever recorded by the band. ~ Bruce Eder

Yes singer Jon Anderson has a voice so high it makes Minnie Mouse seem the epitome of machismo and the band's fascination with pompous and dull intergalactic fantasy make it a prime target for Saturday Night Live parody. But there's no arguing with the players' proficiency. Bassist Chris Squire, guitarist Steve Howe, keyboardist Rick Wakeman, and drummer Alan White are all tops in their game. Tormato is far from the best Yes album, but the indisputable power of "Release, Release" where the band goofingly state "Rock is the medium of our generation" is worth the price of admission alone. Besides, just figuring out what exactly they mean with song titles such as "Arriving UFO" and "Don't Kill the Whale" is probably almost as cool as staring at the Hipgnosis designed cover. A period piece without question. ~ Rob O'Connor

The most important aspect of YESSHOWS is its display of the live interaction between the musicians. While Yes was never accused of being a "jam band," their elaborate, sophisticated arrangements require their own kind of musical telepathy between participants. That connection is apparent throughout the epic "Gates of Delirium" from RELAYER. The pleasure Squire, Anderson, Howe and company still get from playing together is especially apparent on their old chestnut "Time and a Word," a simple but very effective ballad…

With 1987's BIG GENERATOR, Yes continued in the synthesizer-laden, production-heavy mode that had made the band's comeback album, 90125, such a success. While some diehard fans found this era of Yes to be in contrast to the band's previous classically influenced art rock, this incarnation of the band had plenty of the strong musicianship and fantastical imagination that had propelled the group to legendary status in the '70s. Indeed, producer Trevor Horn and the band succeeded in creating an intriguing sonic landscape that only Yes could conceive…