An excellent album – and one of Joe Henderson's boldest sets from the early 70s! The record features Joe working with a hip group of young Japanese players that includes Terumasa Hino on trumpet and Masabumi Kikuchi on piano and electric piano – and the sextet format of the session stretches way past Joe's other Japanese recording from the time, which was issued in the US on Milestone. This one features very long tracks, with tremendous intensity from both the group and Joe, who's got a real edginess to his playing here. Includes a version of "So What", plus the originals "Sunrise In Tokyo" and "Get Magic Again".
One of the most striking mid 70s sessions from Japanese trumpeter Terumasa Hino – an extended suite of tracks performed by a very hip group that includes Mtume on congas and percussion, Cecil McBee on bass, and Motohiko Hino on drums! The approach here is almost in a mid 70s spiritual soul jazz mode – with lots of spare percussion and bass work at the beginning, building in mood and meaning as the set goes on and things heat up. Hino plays trumpet and percussion, and all players vocalize at parts of the performance – chanting along with the tunes in a way that really adds a soulful undercurrent to the record.
Reissue with DSD remastering. A real lost treasure from trumpeter Terumasa Hino – a warm and wonderful live set, and one that's neither too free, nor too smooth – just perfectly set up right down the middle to open up on these beautiful long performances! The lineup is all Japanese – a great array of players that includes Shigeharu Mukai on trombone, Hideo Miyata on tenor, Sadao Watanabe on alto sax, Motohiko Hino on drums, and Fumio Itabashi on Fender Rhodes – part of a slightly larger ensemble who can be tight at times, but still allow plenty of room for open freedom on the solos. Hino's only part of the picture, as the other soloists get in some great space too – and the set includes the 23 minute groover "Logical Mystery", the long soulful original "In The Darkness", and a sweet mellow take on "Round Midnight".
This is one of trumpeter Terumasa Hino's more interesting releases. Hino often sounds like an exact duplicate of Freddie Hubbard in his prime on the more hard bop-oriented pieces while mixing in a bit of Miles Davis with Hubbard on the funkier numbers. He is joined by a fine Japanese group (in addition to Jay Hoggard on marimbas and vibes and percussionist Don Alias) which includes two percussionists who keep the rhythms torrid; Hoggard (particularly on marimbas) is a major part of the ensembles.
Terumasa Hino is a Japanese jazz trumpeter. Currently based in New York City, Hino is widely acknowledged as one of Japan's finest jazz musicians. His instruments include the trumpet, cornet and flugelhorn.
An early hardbop gem from Japanese trumpeter Terumasa Hino - quite different than you might think from his more famous work of the 70s - with a rolling, soulful groove that would almost be at home on 60s Blue Note! Given Hino's chosen instrument, we'd probably link this one best to some of the more creative late 60s sides from Lee Morgan - still with an ear for a hard-edge groove, but also stepping out a bit too - with work from Takeru Muraoka on tenor, Hiroshi Suzuiki on trombone, and Masabumi Kikuchi on piano. Cuts include a nice cover of Duke Pearson's "The Magilla", a groovy version of "Feelin' Good", and a trippy take on "Lucy In The Sky With Diamonds" - plus the tracks "And Satisfy" and "Mississippi Dip".