A fantastic collaboration between Japanese trumpeter Terumasa Hino and avant bassist Reggie Workman – one that might seem unusual if you only know Hino's later work, but which was part of a few key collaborations that Hino and Workman did together at the start of the 70s – part of a real spiritual awakening in the trumpeter's music! The tracks are long and very expressive – and the group is mostly Japanese – with Hino on trumpet, Workman on bass, Motohiko Hino on drums, Kiyoshi Sugimoto on guitar, Mideo Ichikawa on electric piano, Yuji Imamura on conga, and Takao Uematsu on bass clarinet and tenor – all working together in a spirit that's clearly caught the imagination of the post-Coltrane years, and which is completely different than the straighter hardbop that Hino was recording just a few years previously.
Reissue with DSD remastering. A real lost treasure from trumpeter Terumasa Hino – a warm and wonderful live set, and one that's neither too free, nor too smooth – just perfectly set up right down the middle to open up on these beautiful long performances! The lineup is all Japanese – a great array of players that includes Shigeharu Mukai on trombone, Hideo Miyata on tenor, Sadao Watanabe on alto sax, Motohiko Hino on drums, and Fumio Itabashi on Fender Rhodes – part of a slightly larger ensemble who can be tight at times, but still allow plenty of room for open freedom on the solos. Hino's only part of the picture, as the other soloists get in some great space too – and the set includes the 23 minute groover "Logical Mystery", the long soulful original "In The Darkness", and a sweet mellow take on "Round Midnight".
Groundbreaking work from Japanese trumpeter Terumasa Hino – recorded on an early trip to New York, back in 1970, working with a sextet that includes some of his own Japanese players, like drummer Motohiko Hino and pianist Hideo Ichikawa, plus the great American bassist Reggie Workman! The album features 2 very long tracks – "Gongen" and "Peace & Love" – both a bit free, and infused with a post-Coltrane sense of spiritual exploration. Hino's really changing his style a lot in this setting – taking a lot more chances than on earlier Japanese sessions, reaching out towards a future jazz approach for the 70s.
One of the most striking mid 70s sessions from Japanese trumpeter Terumasa Hino – an extended suite of tracks performed by a very hip group that includes Mtume on congas and percussion, Cecil McBee on bass, and Motohiko Hino on drums! The approach here is almost in a mid 70s spiritual soul jazz mode – with lots of spare percussion and bass work at the beginning, building in mood and meaning as the set goes on and things heat up. Hino plays trumpet and percussion, and all players vocalize at parts of the performance – chanting along with the tunes in a way that really adds a soulful undercurrent to the record.
Terumasa Hino is one of Japan's most well-known jazz trumpeters, and has a long and illustrious career that has seen him play with a huge array of different musicians both here and in the US. With some great Fender Rhodes and Fender bass accompaniment and some ethereal vocals from Tawatha and Kimiko Kasai, the album has a wonderful electric but spiritual vibe.
Trumpeter Terumasa Hino at a level that's quite different than most of his early work in Japan – recording in New York, and using a very spiritual approach – one that's clearly influenced by some of the other players in the session! The album features one long track – a bit improvised, and almost free at times – but also given a strong sense of direction, too – that balance between completely unbridled expression and structure that can make some of the best spiritual jazz sessions so great! Hino's on trumpet, and also plays some flugelhorn – and other players include Steve Grossman on tenor and flute, Pete Yellin on alto and flute, Dave Liebman on alto and tenor, Olu Dara on trumpet, Bob Moses on drums, Dave Holland on bass, and Mike Garson on piano and Fender Rhodes.
Reissue with the latest DSD remastering. Comes with liner notes. Beautiful work from trumpeter Terumasa Hino – an early 80s date that was issued in the US, but one that's got as much bold power and freewheeling soul as his Japanese releases from a decade before! The album's surprisingly open for the time – not in the slicker mode that Columbia was hitting as they crossed over some of their 70s fusion players, but in spacious territory that has Hino blowing cornet, in larger arrangements from keyboardist Masabumi Kikuchi and Gil Evans – the latter of whom seems to contribute a strong sense of color and tone to the album! The lineup is great, too – and features both Herbie Hancock and Kenny Kirkland on keyboards, Steve Grossman on reeds, Harvey Mason and Lenny White on drums, Anthony Jackson on bass, and Airto on percussion.
An amazing moment from Japanese trumpeter Terumasa Hino – an early 70s session recorded in America – with fantastic work from Gary Bartz on alto and Reggie Workman on bass! The album's not like Hino's later American dates – which were often more fusion based – as the style here is sublimely spiritual, with long tracks stretching out in just the same energy as some of the first few albums by Bartz! Also like Bartz, the tunes really stretch out, but never go too far outside – less avant than searingly expressive, with fantastic work from both horn players throughout. The group also features a guitarist, who colors the sound nicely.
An excellent album – and one of Joe Henderson's boldest sets from the early 70s! The record features Joe working with a hip group of young Japanese players that includes Terumasa Hino on trumpet and Masabumi Kikuchi on piano and electric piano – and the sextet format of the session stretches way past Joe's other Japanese recording from the time, which was issued in the US on Milestone. This one features very long tracks, with tremendous intensity from both the group and Joe, who's got a real edginess to his playing here. Includes a version of "So What", plus the originals "Sunrise In Tokyo" and "Get Magic Again".