When Duster were recording their space rock mini-epics on wobbly four-track in a makeshift San Jose home studio in the late '90s, it's likely they weren't imagining that their records would someday be fetching exorbitant prices and that a classy reissue label would someday issue a box set. No doubt they were just having fun making music, expressing themselves, and exploring sound for its own sake, but history has a way of taking strange turns, and in 2019 the Numero Group's Capsule Losing Contact was released. The lavishly packaged set gathers the two albums (1998's Stratosphere and 2000's Contemporary Movement) and one EP (1999's 1975) they released for Up Records and adds the Transmission, Flux EP, the Apex, Trance-Like single, and a handful of rare and previously unreleased tracks. The collection finally restores the music of Duster to people who can now afford to own it and every fan of slowcore, lo-fi space rock and unassumingly brilliant indie rock should plunk down their money and get this set.
The Hammond organ, named after its inventor Laurens Hammond, debuted in 1935 as a cost-effective electro-acoustic alternative to the gigantic pipe organs mainly installed in churches. Among Hammond’s first customers were George Gershwin and Count Basie. Jazz pianists like Basie, Fats Waller, Wild Bill Davis and Milt Buckner were the founding fathers of the instrument’s international conquest, which led across all styles of popular music, from jazz to progressive rock, with its heyday in the 1960s and '70s…
Between 1970 and 1976, James Taylor released six albums with Warner Bros. Records that became the foundation for his unparalleled career that includes five Grammy® Awards, induction into the Songwriters and Rock and Roll Halls of Fame, and more than 100 million records sold worldwide. Originally signed to Apple for his 1968 debut, Taylor switched to Warners for the 1970 follow-up Sweet Baby James, which was a huge success reaching number three in the Billboard charts, nominated for a Grammy and has sold in excess of three million copies in the US alone making him quite the handsome acoustic troubadour, with records that became the foundation for his garlanded career that includes five Grammy Awards, induction into the Songwriters and Rock and Roll Halls of Fame, and more than 100 million records sold worldwide.
Dakota Staton was a jazz and R&B singer very much in the mould of Sarah Vaughan and Dinah Washington, whose style was sultry and sophisticated but who was extrovert and funky enough to share an R&B stage with the likes of Fats Domino and Big Joe Turner. She paid her dues on the jazz club circuit before signing to Capitol and released a number of singles and claimed Down Beat magazine's Most Promising Newcomer award before recording her No. 4 hit album The Late, Late Show in 1957. This great-value 55-track 2-CD set comprises all her recordings released as singles from her debut in 1955, along with all the tracks from her first four albums The Late, Late Show, In The Night, Dynamic and Crazy He Calls Me. It features performances with some noted musicians and arrangers, including Nelson Riddle, George Shearing, Harry Sweets Edison, Jonah Jones, Hank Jones, Van Alexander, Toots Thielemans and Al McKibbon. It's a comprehensive presentation of her studio work during the first and probably most significant era in her career, and a great showcase for the talent of a noted vocal stylist.
Aside from the Louvins and the Delmores, few other postwar vocal duos had the power and consistently high quality of the brother-in-law team of Johnny Wright and Jack Anglin. They started working together on various Southern radio stations before World War II. The war split them but they reunited afterward with Johnnie's wife Muriel (future legend Kitty Wells) singing in the band. In 1947 they joined the Opry and made their first records for the R & B-oriented Apollo label. This superb collection starts with the beautiful What About You from their first session for RCA in January 1949 and ends with their last Decca recording You'll Never Get A Better Chance Than This from March 1962 , a year before Anglin's tragic 1963 death in a car crash the same day he was to attend Patsy Cline's funeral.
3 X CD SET OF CLASSIC DOORS BROADCAST RECORDINGS Both unique and controversial, The Doors remain among the most influential rock acts of the 1960s, largely because of Jim Morrison's lyrics and charismatic but unpredictable stage persona. After Morrison's death in 1971, the remaining members continued as a trio until disbanding in 1973- it s no secret that bereft of their former front-man the group became somewhat pedestrian. This triple disc box set collects together live performances by The Doors from the period during which they were extraordinary in the extreme. Featuring two individual shows from 1970 recorded for live broadcast in Detroit and Seattle, plus a third disc containing performances recorded for television transmission between 1966 and 1968, this set is among the finest collection of live Doors recordings yet released.