Thanks.for.the.memory.1938

Volume three in Mildred Bailey's Classics chronology revives 24 excellent recordings she made for the Vocalion label between January 19, 1937 and March 14, 1938. During this period, Bailey sang on quite a number of recordings issued (and subsequently reissued) under the name of her third husband, xylophonist Red Norvo. Everything on this compilation came out under the name of Mildred Bailey & Her Orchestra. A glance at the enclosed discography substantiates a claim made by producer Anatol Schenker in his liner notes: "The small band recordings made by Mildred Bailey in the late thirties certainly bear comparison with those made by Billie Holiday"…

Ella Fitzgerald - Ella: The Legendary Decca Recordings 1938-1955 (1996) {4CD Set, GRP 46482}
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© 1938-55, 1996 GRP Records / Decca / MCA | GRP 46482
Jazz / Vocal Jazz / Bop / Standards / Swing

The four-CD retrospective The Legendary Decca Recordings represented both an attempt to present the essence of Ella Fitzgerald's two-decade tenure at Decca Records and to defend that period against the conventional wisdom that not until she moved to Verve Records in the mid-'50s was her talent given full rein. Divided into four sections, the collection began with "The Very Best of Ella," not exactly a greatest-hits set, though it started with her first big hit, "A-Tisket, A-Tasket," and included such chart successes as "Undecided," "Cow-Cow Boogie," and "Stone Cold Dead in the Market."

Chu Berry - Classic Chu Berry Columbia and Victor Sessions (2007) {7CD Set Mosaic MD7-236 rec 1933-1941}
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© 1933-41, 2007 Columbia / Victor / Sony BMG / Mosaic Records / BMG | MD7-236
Jazz / Swing / Tenor Saxophone

This is a comprehensive collection with countless pivotal sessions. It features 203 separate recordings on seven CDs and collects both the sessions led by Chu Berry and other sessions where he contributed significantly as a sideman. You can study his remarkable surefootedness as a soloist; remember an era where evolution in the music was running rampant and Chu Berry's tenor saxophone was one of the things making it run.

This collection of the complete chamber music of Poulenc shows the varying styles that he employed. From the jazzy, bitonal passages of the Sonata for Clarinet and Bassoon and the Sonata for Horn, Trumpet and Trombone which has been described as 'Pergolesi with his wig awry' (Roger Nichols, Grove) to the profound beauty of his last three sonatas for wind. All are extremely accessible. The Nash Ensemble gave a series of concerts of Poulenc's music at the Wigmore Hall earlier this year to great critical acclaim and Hyperion are delighted to be able to present this wonderful collection on this, Poulenc's centenary year.