That Certain Thing (1928)

George Gershwin - 1898-1937 (2007)  Music

Posted by Rtax at July 9, 2024
George Gershwin - 1898-1937 (2007)

George Gershwin - 1898-1937 (2007)
EAC Rip | FLAC (tracks, cue, log) - 1.9 GB | MP3 CBR 320 kbps - 1.2 GB
8:58:03 | Jazz, Soundtrack, Musical | Label: Documents

The great musical border crosser of the twentieth century, George Gershwin excelled in the fields of concert music and popular song alike. The son of Jewish immigrants from Russia, he was born Jacob Gershvin in Brooklyn on September 26, 1898. His father ran a great variety of small businesses, and George, in the words of the New Grove Dictionary of Music, "excelled at street sports." He also studied the piano and was introduced to the European classics by his teacher, Charles Hambitzer. Gershwin immersed himself in popular music after dropping out of school in 1914 and getting a job as a salesman for the music publisher Remick. He was influenced by ragtime and stride piano music, and as a songwriter enjoyed his first hit in 1920 with "Swanee," recorded by the leading vocalist of the time, Al Jolson.

George Gershwin - 1898-1937 (2007)  Music

Posted by Rtax at July 9, 2024
George Gershwin - 1898-1937 (2007)

George Gershwin - 1898-1937 (2007)
EAC Rip | FLAC (tracks, cue, log) - 1.9 GB | MP3 CBR 320 kbps - 1.2 GB
8:58:03 | Jazz, Soundtrack, Musical | Label: Documents

The great musical border crosser of the twentieth century, George Gershwin excelled in the fields of concert music and popular song alike. The son of Jewish immigrants from Russia, he was born Jacob Gershvin in Brooklyn on September 26, 1898. His father ran a great variety of small businesses, and George, in the words of the New Grove Dictionary of Music, "excelled at street sports." He also studied the piano and was introduced to the European classics by his teacher, Charles Hambitzer. Gershwin immersed himself in popular music after dropping out of school in 1914 and getting a job as a salesman for the music publisher Remick. He was influenced by ragtime and stride piano music, and as a songwriter enjoyed his first hit in 1920 with "Swanee," recorded by the leading vocalist of the time, Al Jolson.

George Gershwin - 1898-1937 (2007)  Music

Posted by Rtax at July 9, 2024
George Gershwin - 1898-1937 (2007)

George Gershwin - 1898-1937 (2007)
EAC Rip | FLAC (tracks, cue, log) - 1.9 GB | MP3 CBR 320 kbps - 1.2 GB
8:58:03 | Jazz, Soundtrack, Musical | Label: Documents

The great musical border crosser of the twentieth century, George Gershwin excelled in the fields of concert music and popular song alike. The son of Jewish immigrants from Russia, he was born Jacob Gershvin in Brooklyn on September 26, 1898. His father ran a great variety of small businesses, and George, in the words of the New Grove Dictionary of Music, "excelled at street sports." He also studied the piano and was introduced to the European classics by his teacher, Charles Hambitzer. Gershwin immersed himself in popular music after dropping out of school in 1914 and getting a job as a salesman for the music publisher Remick. He was influenced by ragtime and stride piano music, and as a songwriter enjoyed his first hit in 1920 with "Swanee," recorded by the leading vocalist of the time, Al Jolson.
George Gershwin - The Authentic George Gershwin - Jack Gibbons (2004) {4CD Set Sanctuary Classics CD RSB 401}

George Gershwin - The Authentic George Gershwin - Jack Gibbons (2004) {4CD Set Sanctuary Classics CD RSB 401}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.08 Gb | MP3 @320 -> 726 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb | 5% repair rar
© 2004 Sanctuary Classics | CD RSB 401
Jazz / Classical / Solo Piano

This plates are wonderful. I was charmed, and when I close my eyes now, I see scenes with American in Paris or Porgy and Bess but my favorite piece of music is Rhapsody in Blue. It's more than excellent is fantastic. Jack Gibbons perfectly feels the unique tone Gershwin's music, the mixture rythms of jazz with influences of impressionists and clear and beauty melodies. I'm fascinating.
George Gershwin plays George Gershwin (1991) {2CD Set, Pearl GEMM CDS 9483}

George Gershwin plays George Gershwin (1991) {2CD Set, Pearl GEMM CDS 9483}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 455 Mb | MP3 @320 -> 280 Mb
Full Artwork @ 600 dpi (jpg) -> 28 Mb | 5% repair rar
© 1991 Pearl | GEMM CDS 9483
Classical / Jazz / Early 20th Century / Piano / Historical

The first of these two discs gathers all Gershwin's commercially issued discs as a pianist, including the two abridged Rhapsody in Blue traversals, Gershwin accompanying the Astaire siblings, and twelve solo sides. Hearing the composer play his own music is like getting your ears cleaned out from 75 years of interpretive maulings. Gershwin's crisp touch, clear-cut and unsentimental phrasing, and rhythmic verve comes through more convincingly in these flat discs than in his much-vaunted piano rolls. Also included are the composer-supervised first recordings of An American in Paris and selections from Porgy & Bess, along with a flawed yet revelatory aircheck of Gershwin playing the finale of his concerto. No Gershwin lover should be without this important collection.
VA - Technicolor Paradise: Rhum Rhapsodies & Other Exotic Delights (2018)

VA - Technicolor Paradise: Rhum Rhapsodies & Other Exotic Delights (2018)
WEB FLAC (tracks) - 594 MB
2:17:31 | Jazz, Pop, Easy Listening, Mambo, Pacific, Surf, Space-Age, Lounge | Label: Numero Group

It was a musical cocktail born in a marketing meeting: Two parts easy listening, one part jazz, a healthy dollop of conga drums, a sprinkling of bird calls, and a pinch of textless choir. Serve garnished with an alluring woman on the album jacket for best results. Liberty Records co-founder Si Waronker called it Exotica; the soundtrack for a mythical air conditioned Eden, packaged for mid-century, tiki torch-wielding armchair safariers. In the five years after Exotica—Martin Denny’s 1957 landmark Liberty debut—arrived, hundreds of other ethnographic forgeries washed up in record racks all over the U.S., bearing titles like Sophisticated Savage, Sacred Idol, Chant of the Jungle, Polynesian Paradise, Exotic Paradise, Taboo, Primitiva, Forbidden Island, Afrodesia, Hypnotique, Percussion Exotique, and a barrel’s worth of other portmanteaus. “All of those ica and itiva endings I came up with because I thought I was being cute,” Waronker said. “And I don’t know why, but nobody got wise.”
VA - Technicolor Paradise: Rhum Rhapsodies & Other Exotic Delights (2018)

VA - Technicolor Paradise: Rhum Rhapsodies & Other Exotic Delights (2018)
EAC Rip | FLAC (tracks, cue, log, scans, booklet) - 783 MB | MP3 CBR 320 kbps - 517 MB
2:17:31 | Jazz, Pop, Easy Listening, Mambo, Pacific, Surf, Space-Age, Lounge | Label: Numero Group

It was a musical cocktail born in a marketing meeting: Two parts easy listening, one part jazz, a healthy dollop of conga drums, a sprinkling of bird calls, and a pinch of textless choir. Serve garnished with an alluring woman on the album jacket for best results. Liberty Records co-founder Si Waronker called it Exotica; the soundtrack for a mythical air conditioned Eden, packaged for mid-century, tiki torch-wielding armchair safariers. In the five years after Exotica—Martin Denny’s 1957 landmark Liberty debut—arrived, hundreds of other ethnographic forgeries washed up in record racks all over the U.S., bearing titles like Sophisticated Savage, Sacred Idol, Chant of the Jungle, Polynesian Paradise, Exotic Paradise, Taboo, Primitiva, Forbidden Island, Afrodesia, Hypnotique, Percussion Exotique, and a barrel’s worth of other portmanteaus. “All of those ica and itiva endings I came up with because I thought I was being cute,” Waronker said. “And I don’t know why, but nobody got wise.”
VA - Technicolor Paradise: Rhum Rhapsodies & Other Exotic Delights (2018)

VA - Technicolor Paradise: Rhum Rhapsodies & Other Exotic Delights (2018)
EAC Rip | FLAC (tracks, cue, log, scans, booklet) - 783 MB | MP3 CBR 320 kbps - 517 MB
2:17:31 | Jazz, Pop, Easy Listening, Mambo, Pacific, Surf, Space-Age, Lounge | Label: Numero Group

It was a musical cocktail born in a marketing meeting: Two parts easy listening, one part jazz, a healthy dollop of conga drums, a sprinkling of bird calls, and a pinch of textless choir. Serve garnished with an alluring woman on the album jacket for best results. Liberty Records co-founder Si Waronker called it Exotica; the soundtrack for a mythical air conditioned Eden, packaged for mid-century, tiki torch-wielding armchair safariers. In the five years after Exotica—Martin Denny’s 1957 landmark Liberty debut—arrived, hundreds of other ethnographic forgeries washed up in record racks all over the U.S., bearing titles like Sophisticated Savage, Sacred Idol, Chant of the Jungle, Polynesian Paradise, Exotic Paradise, Taboo, Primitiva, Forbidden Island, Afrodesia, Hypnotique, Percussion Exotique, and a barrel’s worth of other portmanteaus. “All of those ica and itiva endings I came up with because I thought I was being cute,” Waronker said. “And I don’t know why, but nobody got wise.”

Styx - Gold (2006) Re-up  Music

Posted by v3122 at Aug. 29, 2021
Styx - Gold (2006) Re-up

Styx - Gold (2006)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2CD | A&M Records, B000210402 | ~ 1077 or 354 Mb | Scans(jpg) -> 47 Mb
Classic Rock / Arena Rock

~ Org released in 2004 as "Come Sail Away: The Styx Anthology" ~

Styx may have had their musical roots in the UK's burgeoning late-'60s/early-'70s prog-rock bombast, but they were true pioneers in at least one sense: The Chicago-bred quintet virtually defined the hugely successful "corp rock" boom that followed a decade after prog's original fortunes tarnished…
Takács Quartet - Hough, Dutilleux & Ravel: String Quartets (2023)

Takács Quartet - Hough, Dutilleux & Ravel: String Quartets (2023)
FLAC (tracks) - 273 MB | MP3 CBR 320 kbps - 155 MB
1:07:51 | Classical | Label: Hyperion

If this premiere recording of Stephen Hough’s String Quartet No 1 may be regarded as definitive—the work is dedicated to the Takács Quartet—those of the quartets by Ravel and Dutilleux are no less distinguished.Dedicated ‘à mon cher maître Gabriel Fauré’, Maurice Ravel’s only string quartet was started in 1902. On 30 April that year he had attended the first performance of Debussy’s Pelléas et Mélisande and immediately afterwards set about preparing for the Prix de Rome—a prize he was fated never to win despite repeated attempts between 1900 and 1905. In the autumn he undertook a project for a fellow composer, Frederick Delius, who asked him to make a piano–vocal score of the opera Margot la Rouge. He then got to work on the String Quartet, and the first two movements were finished in December 1902, according to Ravel’s note on the last page of the second movement in the autograph score.