The+doobie+brothers

One Step Closer is the ninth studio album by American rock band the Doobie Brothers. The album was released on September 17, 1980, by Warner Bros. Records. The album included the hit "Real Love", which reached #5 on the Billboard Hot 100. This album is the band's last studio album with Michael McDonald in the lineup until 2014's Southbound, and also the first studio album to feature John McFee as a member of the band.

As one of the most popular California pop/rock bands of the '70s, the Doobie Brothers evolved from a mellow, post-hippie boogie band to a slick, soul-inflected pop band by the end of the decade. Along the way, the group racked up a string of gold and platinum albums in the U.S., along with a number of radio hits like "Listen to the Music," "Black Water," and "China Grove."

The Doobies team up with the Memphis Horns for an even more Southern-flavored album than usual, although also a more uneven one. By this time, Tom Johnston, Patrick Simmons, and company had pretty well inherited the mantle and the core (and then some) of the audience left behind by Creedence Clearwater Revival and John Fogerty, with Johnston songs like "Pursuit on 53rd Street," "Down in the Track," and "Road Angel" recalling pieces like "Travelin' Band," while Simmons' "Black Water" (their first number one hit) evoked the softer side of the "swamp rock" popularized by CCR. Actually, in some respects, given the range of instruments employed here, including an autoharp (courtesy of Arlo Guthrie) and viola, the songs on the original LP's first side suffer somewhat from a sameness that makes What Were Once Vices Are Now Habits a little less interesting than the albums that preceded it.

One would be hard-pressed to find a band more perfectly symbolic of the good-times politics-be-damned esprit de cannabis that symbolized a good chunk of 70's rock. While the Beach Boys were busy becoming an anachronism, the Doobs effectively took their mantle, fusing an array of musical Americana - be it blues, country, folk, or gospel - into a remarkably popular string of albums and radio hits by simply asking not much more of us than to "Listen to the Music." And if they didn't get much more controversial than to declare "Jesus Is Just Alright," well, that was kind of the point. This Rhino anthology is typically exhaustive. All the familiar radio hits are here, as well as a good sampling of deep catalog from the band's various line-ups, not to mention a few standout Tom Johnston and Patrick Simmons solo outings. Hardcore Doobie Bros. fans should be especially pleased by the fourth disc, which contains a wealth of outtakes and demos from the band's early '70s and '80s prime.

Livin' on the Fault Line fell between two of the Doobie Brothers' biggest-selling records. The album had no hit singles, and one-time leader Tom Johnston kept a markedly low profile (this would be his last record with the group, not including a later reunion). Despite this, Livin' on the Fault Line contains some of the most challenging and well-developed music of the band's career, with Patrick Simmons and Michael McDonald really stepping to the fore. There's a vague mood of melancholia running through the songs, as well as a definite jazz influence. This is most obvious on the title track, which has several instrumental passages that showcase the guitar abilities of Simmons and Jeff Baxter.

There have been plenty of single-disc Doobie Brothers collections released over the years. There have been two-part vinyl Best of the Doobies, there have been budget-line collections, and there have been OK overviews as well as excellent generous discs with all the big hits. There's even been a comprehensive four-disc box, but what there hasn't been is a double-disc set – something that falls between the conciseness of 2001's terrific Greatest Hits (the first CD to contain all the big hits on one CD) and 1999's four-disc Long Train Runnin' 1970-2000. That's what 2007's The Very Best of the Doobie Brothers is, a double-disc helping of the Doobies' biggest songs from "Listen to the Music" to "The Doctor."

The group's first album with Michael McDonald marked a shift to a more mellow and self-consciously soulful sound for the Doobies, not all that different from what happened to Steely Dan – whence McDonald (and Jeff Baxter) had come – between, say, Can't Buy a Thrill and Pretzel Logic. They showed an ability to expand on the lyricism of Patrick Simmons and Baxter's writing on "Wheels of Fortune," while the title track introduced McDonald's white funk sound cold to their output, successfully. Simmons' "8th Avenue Shuffle" vaguely recalled "Black Water," only with an urban theme and a more self-consciously soul sound (with extraordinarily beautiful choruses and a thick, rippling guitar break).

One Step Closer is the ninth studio album by American rock band the Doobie Brothers. The album was released on September 17, 1980, by Warner Bros. Records. The album included the hit "Real Love", which reached #5 on the Billboard Hot 100. This album is the band's last studio album with Michael McDonald in the lineup until 2014's Southbound, and also the first studio album to feature John McFee as a member of the band.

Extended Versions culls ten live tracks from the Doobie Brothers 1996 reunion show Rockin' Down the Highway: The Wildlife Concert. A similar distillation of the live show appeared on 1999's Best of the Doobie Brothers Live, a 14-track version of Rockin' Down the Highway. Hardcore fans will opt for the original, while casual listeners will most likely gravitate to one of the myriad studio collections, rendering both budget-priced renderings more or less obsolete.