The+manhattan+transfer

Many of the Manhattan Transfer's recordings up to the point of Vocalese showed off their diversity and covered a wide variety of music, including jazz. This set was quite a bit different, for it is dedicated to the vocalese of the great Jon Hendricks. The Manhattan Transfer (singers Cheryl Bentyne, Tim Hauser, Alan Paul and Janis Siegel) perform a dozen songs using Hendricks' lyrics, including "That's Killer Joe," "Rambo," "Ray's Rockhouse" and "Sing Joy Spring." Utilizing their regular band of the period (which includes guitarist Wayne Johnson), the Count Basie Orchestra (directed at the time by Thad Jones), the Four Freshmen (on "To You"), tenorman James Moody, Bobby McFerrin (guesting on "Night in Tunisia"), McCoy Tyner, Dizzy Gillespie (on "Sing Joy Spring"), altoist Richie Cole, and Hendricks himself, among many others, the Transfer give these boppish tunes definitive vocal treatments. This is one of their finest jazz recordings and a classic of its kind.

This eclectic collection of songs encompasses jazz, bebop, swing, doo wop, rock & roll, and gospel; all are trimmed in an attractive pop texture. These 16 compositions are taken from the vocal quartet's albums, which span 12 years (1975-1987). Each selection is inviting, as all four song stylists display their individual vocal skills and admirable harmonies. Laurel Masse appears on recordings up until 1979, when Cheryl Bentyne replaced her. Other members include Tim Hauser, Janis Siegel, and Alan Paul.

The Manhattan Transfer first came to the general public's attention as a retro act, a nostalgic throwback in a era consumed with nostalgia – the early/mid-'70s – and their debut Atlantic album, as well as their 1975 summer replacement TV series, catered unashamedly to that market. As a result, this record seemed old when it came out, and it still sounds more than a little sappy, especially when one considers the astonishing growth of the Transfer since…

This fourth album from Manhattan Transfer was the first for Cheryl Bentyne, who replaced Laurel Masse after the original singer's auto accident and subsequent decision to leave the group. Though replacing Masse was difficult, Bentyne's energy and style proved to be the perfect complement to the group's already dynamic performance…

Storied, ten-time Grammy-winning vocal group the Manhattan Transfer are marking their 50th anniversary with the new studio album Fifty, to be released on September 23 digitally, and October 21 on CD, via Craft Recordings. To coincide with the news, the group have announced that they will start their final worldwide tour in America in October, to be followed by an international itinerary. The tour continues back in the US with shows in December, then in January and March 2023.

This collection features rerecorded versions of some of the Manhattan Transfer's best-known songs, including classics like "Embraceable You," "A Nightingale Sang in Berkeley Square" as well as their inspired reworking of Weather Report's "Birdland."

Bop Doo-Wopp is the seventh album released by The Manhattan Transfer in 1984 on the Atlantic Records label. Six of the ten tracks on Bob Doo-Wopp are live performances. The album contained the song "Route 66" which originally appeared on the soundtrack to the Burt Reynolds' film Sharky's Machine. The album is essentially a "live" album (6 tracks) with some additional studio cuts (4 tracks). Five tracks were recorded live at the Nakano Sun Plaza in Japan in November 1983. Songs from these concerts were also released in 1996 on their album Man-Tora! Live in Tokyo. The other live cut, "Duke of Dubuque", was recorded for the Evening at Pops series on PBS. The song "Safronia B" was recorded in Sydney, Australia in December 1983. The other three songs were recorded in New York. Route 66 hit the Billboard Hot 100 in 1982, reaching #78, and earned the group another Grammy Award in the category of "Best Jazz Vocal Performance, Duo or Group."

With 2022's Fifty, Grammy-winning vocal quartet the Manhattan Transfer celebrate their 50th birthday in illustrious fashion, collaborating with Germany's WDR Funkhausorchester. Founded in the 1960s by the late Tim Hauser, the Manhattan Transfer helped repopularize '40s-style vocal harmony jazz, swing, and traditional pop, all while incorporating contemporary pop and dance elements. Here, original members Janis Siegel and Alan Paul, along with longtime member Cheryl Bentyne and Trist Curless (who joined after Hauser's passing in 2014), look back on the group's albums and revisit some of their favorite songs. Helping them achieve this time-traveling journey is producer and Take 6-member David Thomas as well as musical arrangers Jorge Callandrelli and Vince Mendoza and vocal arranger Amanda Taylor.

This eclectic collection of songs encompasses jazz, bebop, swing, doo wop, rock & roll, and gospel; all are trimmed in an attractive pop texture. These 16 compositions are taken from the vocal quartet's albums, which span 12 years (1975-1987). Each selection is inviting, as all four song stylists display their individual vocal skills and admirable harmonies. Laurel Masse appears on recordings up until 1979, when Cheryl Bentyne replaced her. Other members include Tim Hauser, Janis Siegel, and Alan Paul.