The 1%:

Tales From The Script – Greatest Hits features all of the biggest hits and fan favourites from their six albums so far. It highlights the classic cuts from the trio’s catalogue, taking in the likes of the #1 smash ‘Hall of Fame’ (featuring will.i.am) and the Top 10 hits ‘The Man Who Can’t Be Moved’, ‘For The First Time’ and ‘Superheroes’. It also includes landmark moments and staples of their live show including ‘Breakeven’, their debut single ‘We Cry’ and ‘Rain’. The collection honours everything that the band - Danny O’Donoghue, Glen Power and Mark Sheehan - have achieved together since forming fourteen years ago. It’s completed by the brand new song ‘I Want It All’, which Sheehan says “ delivers all the ingredients everyone knows and loves” plus the ‘Acoustic Sessions’ version of ‘Never Seen Anything “Quite Like You”’.

The Animals' self-titled debut album features a mixture of blues, R&B, traditional folk covers, and an Eric Burdon original, "I'm In Love." The #1 US and UK charting "House of the Rising Sun" is included, which was voted one of Rolling Stone's Greatest Songs of All Time. The Animals has been remastered utilizing high-resolution sources from first generation mono master tapes. Includes liner notes by Rolling Stone Senior Editor David Fricke and the bonus track full version of "Talkin' `Bout You."

The Doors had one of the most extraordinary debut years in music history in 1967, releasing a string of hit singles and two platinum albums, beginning in January with the band’s self-titled debut, followed by Strange Days in September. The latter peaked at #3 on the Billboard album chart and featured classics like “Love Me Two Times,” “When The Music’s Over,” and the title track “Strange Days.”

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Since the early 1990s, the excellent French label Opus 111 has released a number of recordings by the Russian Patriarchate Choir, which was founded in 1980 by Anatoly Grindenko. Grindenko, a successful performer on the double-bass and viola de gamba, has combined a devotion to the living tradition of the Orthodox liturgy with important and original musicological scholarship. The result has been the careful editing and inspired performance of a number of manuscripts representing early, and sometimes all but lost, traditions of Orthodox chant.