Esoteric Recordings are proud to announce the release of a newly re-mastered and expanded edition of the classic 1970 album by The Move, “Shazam”. Of all of the groups to emerge in Britain in the latter half of the 1960s, The Move was arguably one of the finest. A powerful act on stage, the group were blessed with one of the most imaginative songwriters of his generation in Roy Wood. “Shazam” is regarded by many as the finest The Move album, despite being recorded in a time of flux for the band.
In the Spring of 1968 bassist Ace Kefford departed the fold, with Trevor Burton assuming bass guitar duties. The band continued to enjoy success as a singles act, earning a number one hit with ‘Blackberry Way’ in November 1968. In February 1969 Burton also left the band to be replaced by Rick Price…
Of the literally dozens of memorable bands that emerged from the British Beat scene in the early to mid-'60s, the Zombies were one act that stood out: there was a smart, slightly arty aura to their clever and beautifully crafted melodies, superb vocal harmonies, and a distinct instrumental sound, highlighted by Rod Argent's keyboard work, often using electric piano to memorable effect. Even when the Zombies rocked out or sunk into a tough R&B groove, they could convey a keen intelligence along with their energy, and their more introspective moments gave them a sound and feel that was unique. As good as they were, the Zombies didn't have much luck on the charts - while "She's Not There" and "Tell Her No" were hits in 1965, most of their subsequent recordings attracted little notice on initial release, and some of the band's finest work was barely heard in its day…
Of the literally dozens of memorable bands that emerged from the British Beat scene in the early to mid-'60s, the Zombies were one act that stood out: there was a smart, slightly arty aura to their clever and beautifully crafted melodies, superb vocal harmonies, and a distinct instrumental sound, highlighted by Rod Argent's keyboard work, often using electric piano to memorable effect. Even when the Zombies rocked out or sunk into a tough R&B groove, they could convey a keen intelligence along with their energy, and their more introspective moments gave them a sound and feel that was unique. As good as they were, the Zombies didn't have much luck on the charts - while "She's Not There" and "Tell Her No" were hits in 1965, most of their subsequent recordings attracted little notice on initial release, and some of the band's finest work was barely heard in its day…
The Les Humphries Singers was a large group of session type singers that provided a grand vocal choir sound. The group sound was a mixture of pop, rhythm and blues, gospel, soul and early commercial Disco…
Following the success of the four 7' singles box sets, we present the singles - A-sides, B-sides and EP tracks from the legendary Who on CD. 86 tracks from the Brunswick, Reaction, Track and Polydor labels including classic hits, and rarely heard B-sides. The Box also features the band s first single, as the High Numbers Zoot Suit b/w 'I'm The Face. Five CDs, in separate wallets, housed in a rigid, lift-off box with a 48 page booklet featuring track by track annotation and period photos.
Of the literally dozens of memorable bands that emerged from the British Beat scene in the early to mid-'60s, the Zombies were one act that stood out: there was a smart, slightly arty aura to their clever and beautifully crafted melodies, superb vocal harmonies, and a distinct instrumental sound, highlighted by Rod Argent's keyboard work, often using electric piano to memorable effect. Even when the Zombies rocked out or sunk into a tough R&B groove, they could convey a keen intelligence along with their energy, and their more introspective moments gave them a sound and feel that was unique…
The Orb virtually invented the electronic genre known as ambient house, resurrecting slower, more soulful rhythms and providing a soundtrack for early-morning ravers once the clubs closed their doors. Frontman Dr. Alex Paterson's formula was quite simple: he slowed down the rhythms of classic Chicago house and added synth work and effects inspired by '70s ambient pioneers Brian Eno and Tangerine Dream. To make the whole a bit more listenable - as opposed to danceable - obscure vocal samples were looped, usually providing a theme for tracks that lacked singing. The group popularized the genre by appearing on the British chart show Top of the Pops and hitting number one in the U.K. with the 1992 album U.F.Orb…
Island's 5 Classic Albums box set focuses on the latter half of iconic reggae singer Bob Marley's recording career, featuring his final studio albums: Rastaman Vibration (1976), Exodus (1977), Kaya (1978), Survival (1979), and Uprising (1980). Following his landmark Natty Dread album in 1974 and his hugely successful concert album Live! the following year, Bob Marley and his band the Wailers continued to produce vibrant, meaningful albums throughout the rest of the '70s, right up until the singer's untimely death in 1981…
"The road was our school. It gave us a sense of survival; it taught us everything we know and out of respect, we don't want to drive it into the ground…or maybe it's just superstition but the road has taken a lot of the great ones. It's a goddam impossible way of life" - Robbie Robertson, from the movie The Last Waltz, quoted in the box set…