Much care has gone into the production and presentation of this disc from a warm and immediate recorded sound to the quality of the graphic design. The Rose Consort of Viols seem to play confidently in the knowledge that their subtle textural and dynamic contrasts are being keenly captured. And so they are. Their discreet and gentle accompaniments to the soprano soloist, Annabella Tysall, are founded on suppleness of articulation and sustained, luscious blending rather than expressive melodic nuance. This approach provides a pleasing back-cloth for Tysall's pure and bright-toned singing.
John Jenkins: yet another seventeenth century English composer who deserves to be more widely known. This delightful CD from The Consort of Musicke directed by Trevor Jones is no dutiful study of a hidden but rather uninspiring corner of English early Baroque consort music; rather, a mosaic – rich in color and shape, carefully crafted and full of surprises. Listen, for instance, to the unpretentious, jaunty and appropriately figurative progress through the Saraband (52, tr.6) and the restrained melancholy of the Fancy-Air (4, tr.7). Jenkins' counterpoint is well-wrought, his instrumental palette fresh and crisp and his melodies catchy without being fey or superficial in any way. He is in excellent hands with the Consort of Musicke… eight string players of the caliber of Monica Huggett and Alison Crum violins; Alan Wilson organ and Anthony Rooley theorbo. If fresh, beautiful, expertly-played English consort music appeals to you, don't hesitate to get this gem of a CD – actually a reissue of a Decca disc from 1983: it's unreservedly recommended.