THIRD EAR BAND was one of the earliest signings to EMI’s Progressive imprint, Harvest Records. The band was formed in 1968 around a nucleus of GLEN SWEENEY (percussion), PAUL MINNS (Oboe), RICHARD COFF (Violin, Viola) and MEL DAVIS (cello). Third Ear Band were unique in their exploration of exotic baroque music fused with experimental rock. Signing to Blackhill Enterprises in 1969, the quartet opened for many of the legendary Hyde Park free concerts by Pink Floyd, The Rolling Stones and Blind Faith. Their debut album, “Alchemy”, released in July 1969, was championed by legendary DJ John Peel and is regarded as one of the most striking and original works of the era with its unique gothic improvisational music.
The return of Funk, Inc., one of the most popular soul jazz combos of the Seventies, is a remarkable story. Formed in 1969 by organist Bobby Watley, the Indiana-based group was signed to Prestige Records two years later by producer Bob Porter. The band’s inspired blend of impassioned jazz improvisation and riveting funk grooves was given a highly enthusiastic reception by disc jockeys and record buyers across the country, as well as by critics.
The return of Funk, Inc., one of the most popular soul jazz combos of the Seventies, is a remarkable story. Formed in 1969 by organist Bobby Watley, the Indiana-based group was signed to Prestige Records two years later by producer Bob Porter. The band’s inspired blend of impassioned jazz improvisation and riveting funk grooves was given a highly enthusiastic reception by disc jockeys and record buyers across the country, as well as by critics.
The return of Funk, Inc., one of the most popular soul jazz combos of the Seventies, is a remarkable story. Formed in 1969 by organist Bobby Watley, the Indiana-based group was signed to Prestige Records two years later by producer Bob Porter. The band’s inspired blend of impassioned jazz improvisation and riveting funk grooves was given a highly enthusiastic reception by disc jockeys and record buyers across the country, as well as by critics.