The Memory of Trees is the fourth studio album by the Irish singer, songwriter, and musician Enya, released on 20 November 1995 by WEA. After travelling worldwide to promote her previous album Shepherd Moons (1991), and contributing to film soundtracks, Enya took a short break before she started writing and recording a new album in 1993 with her longtime recording partners, arranger and producer Nicky Ryan and his wife, lyricist Roma Ryan. The album is Enya's first to be recorded entirely in Ireland, and covers themes that include Irish and Druid mythology, the idea of one's home, journeys, religion, dreams and love. Enya continues to display her sound of multi-tracked vocals with keyboards and elements of Celtic and new age music, though Enya does not consider her music to be in the latter genre. She sings in English, Irish, Latin and Spanish.
Nancy Wilson's not the first name in bluesy jazz (check out Dinah Washington and Joe Williams for that), but she usually can enliven the form with her sophisticated and sultry style. That's made clear on her rendition of "Stormy Monday Blues," where she eschews blues clichés in favor of a husky airiness, at once referencing a lowdown mood and infusing it with a sense of buoyancy. This split is nicely essayed on Capitol's Blues and Jazz Sessions, as half the tracks ooze with Wilson's cocktail blues tone and the other find the jazz-pop chanteuse in a summery and swinging mood. Ranging from the big band blues of "I've Got Your Number" to the lilting bossa nova "Wave," Wilson handles all the varying dynamics and musical settings with aplomb. Featuring cuts from her '60s prime with the likes of Cannonball Adderley, Oliver Nelson, George Shearing, Gerald Wilson, and a host of top sidemen, this best-of disc offers a fine, off-the-beaten-path overview of Wilson's Capitol heyday.
Even with a career cut short by illness and a premature death, guitarist, singer, and songwriter Rory Gallagher left his mark in the blues and rock worlds. His hard-charging, intensely rhythmic playing style on his 1961 Stratocaster still casts a long shadow over rock & roll: Queen's Brian May imitated not only his playing but his gear early on; he credits Gallagher with the root of his sound. Eric Clapton said it was Gallagher who got him "back into the blues." Johnny Marr acknowledges a great debt as well: After learning how to play the guitarist's classic Deuce album track-for-track at 13, he revealed Gallagher's influence throughout his career.
Innovatively fusing traditional ethnic musics with state-of-the-art rhythms, the work of Deep Forest was best typified by their 1993 "Sweet Lullaby," which brought together the contemporary sounds of ambient techno with a haunting traditional lullaby from the Solomon Islands. The project was primarily the work of the French keyboardists and programmers Eric Mouquet and Michael Sanchez; after the latter returned from Africa with boxes of records he'd picked up across the continent, he and Mouquet began sampling the native sounds for use with their atmospheric dance tracks, and with the aid of producer Dan Lacksman, their eponymous debut LP appeared in 1993. Propelled by the international hit "Sweet Lullaby," Deep Forest was a surprise success; Mouquet and Sanchez soon began work on a follow-up, this time exploring such areas as Mongolia, India, and Hungary, recording several tracks with singer Marta Sebestyen…
THE CELTS is the 1992 re-release of a 1987 album simply titled ENYA, containing 15 selections originally composed for a BBC series of the same name. Although a number of the tracks sound dated, several others, including "To Go Beyond (II)" are notable for how they locate the origins of the classic Enya sound, far removed from earlier Celtic efforts…
Even though the '90s are considered by many longtime Yngwie Malmsteen fans as not necessarily his musical or creative peak (the '80s are usually given the nod), you have to give credit to the Swedish guitar shredder for sticking to his guns throughout the '90s. When just about every veteran rocker was trying to fit in with the musical climate (whether it be donning flannel during the grunge years or donning baggy jeans during the rap-metal years), Malmsteen paid no mind – continuing merrily on his classic metal path. Since his albums were uneven during this period, the 14-track Best of Yngwie Malmsteen: 1990-1999 will come in handy to casual admirers, who aren't going to track down Concerto Suite for Electric Guitar and Orchestra in E Flat Minor Op. 1 anytime soon…
Power pop is a form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It originated in the mid 1960s as young music fans began to rebel against the emerging pretensions of rock music, and developed mainly among American musicians who came of age during the British Invasion. The genre typically incorporates melodic hooks, vocal harmonies, an energetic performance, and "happy"-sounding music underpinned by a sense of yearning, longing, or despair.