The Best Smooth Jazz Ever

For several years, decades in fact, a lost gem issued originally not just in the US but in the UK as well (and our vinyl pressings were always much better than their US counterparts), on Chrysalis records who, for a while, had some very good material in this genre, for example the two Auracle albums (and wouldn't lots of us like to get those on CD). But finally it's now reappeared on CD and how very nice it is to be reacquainted with it in that format. Anyway, this album ~ his second, as far as I know ~ features a host of jazz luminaries of the day (Hancock, Erskine, Pastorius, Carlton, Ritenour, Gadd, etc.) and its only failing is its mildly raw upper registers, though thankfully there are no vocals to pollute the proceedings and Jaco Pastorius' electric bass work is of truly sterling calibre. On this album, if anywhere, you can hear why he was held in such very high esteem by his contemporaries.

In 1987 Beasley released his first, self-titled, album and since 1998 has been one of the top ten best-selling African American saxophonists in the world.Having grown up as a fan of R&B and funk and trained in classical and jazz saxophone,his own style falls between contemporary R&B and contemporary jazz,a blend which has been called "smooth jazz.

Keiko Matsui is usually classified as a jazz musician, which tends to mean that she doesn't get very good reviews, since she is reviewed by jazz critics, while her music actually is best described as a hybrid consisting of equal parts pop, jazz, and new age…