Best of Both Worlds is a two-disc compilation album by British neo-progressive rock band Marillion released in 1997 by EMI Records, who the band had been signed to from their debut in 1982 until being dropped in 1995. The title refers to Marillion's two distinct "eras" with lead singers Fish (1980—1988) and Steve Hogarth (since 1989). By the time this compilation was released, both line-ups had recorded four studio albums each. The second best-of since the 14-track one-disc compilation A Singles Collection (known as Six of One, Half a Dozen of the Other in the US) from 1992, this one additionally contains material from Brave (1994) and Afraid of Sunlight (1996). Two different covers were created for the compilation, one by Mark Wilkinson, who had worked for the band during the Fish years, and one by Bill Smith Studio, who took over after Fish's and Wilkinson's departure. The booklet was printed so that either of the covers could be displayed in the jewel case according to personal preference. The track list, comprising 29 songs, was put together by Lucy Jordache, then the manager responsible for the band in EMI, in close collaboration with the band's fans' mailing list, "Freaks" (named after the eponymous song). Jordache also motivated singers Fish and Hogarth to contribute liner notes—at a time when both camps were not yet on friendly terms again—by telling each of them the other had already agreed to do so.
Down And Out In Paris And London is not only a very fine studio work, but also probably their most inspired since the terrific A Place In The Queue. There were some radical line up changes that made a bit aware of it too. After all Andy Tillson dropped all the swedish connections now, at least the phisical ones. Gone are the members or ex members of the Flower Kings replaced by an all english line up. Now with Paul Burguess (Camel, Jetrho Tull, 10cc) on drums and Jonathan Barrett (from Tillson´s other project Parallel Or 90 Degrees) on bass and without a lead guitarrist (a good thing, since their last guitar player did not fit well at all). But stylistic speaking, their sound remains as close to TFK as ever.
So, in the end Down And Out In Paris And London is different in many ways, and yet it sounds quite familiar…
Indonesia and jazz? Not so far-fetched! Improvisation is a part of traditional gamelan, and modal playing goes back 1000 years; jazz began seriously delving into modes with Miles Davis in the 1950’s. Clarinet icon Tony Scott proselytized jazz during his six-year sojourn in Asia, and in so doing brought Asian music masters, including players on this album, into the jazz world.
For the majority of American listeners, Lulu's career began and ended with "To Sir with Love," the theme song to the 1967 box office hit, though she enjoyed considerably greater success in the United Kingdom, and not without reason. Lulu had a solid, spirited voice that could handle an admirable range of material, and she tended to get good songs that she made the most of with the assistance of some very talented studio help (John Paul Jones arranged much of the material on her 1969 set Lulu's Album).