The Biggest Thing Since Colossus

In January of 1969, British power blues quintet Fleetwood Mac came to Chess Records studios to jam with the likes of Willie Dixon, S.P. Leary, Honeyboy Edwards, and longtime Muddy Waters' pianist Otis Spann. The sessions were so rich and fruitful that three-fifths of the Mac (specifically bassist John McVie and guitarists Peter Green and Danny Kirwin) impressed Spann enough to cut a record with them at the same sessions. While the classic "Country Girl" and a seven-minute "Someday Soon Baby" (which features a lengthy intro from Green on which Spann can be heard barely off mic telling the rest of the band to "let him play on") ended up on the Mac's Blues Jam at Chess double set: remaining cuts included "Dig You" and "Walkin'" and are a near perfect match of Spann's exciting, emotive singing and the Mac's youthful muscle. The Biggest Thing Since Colossus was released on Mac manager/producer/strongman Mike Vernon's London-based Blue Horizon label.

This release includes 16 rare and previously unissued Otis Spann tracks recorded between 1964 and 1969. Featuring the blues piano genius in both a solo context and supporting a bevy of Chicago artists in a variety of settings, this plows through Pete Welding's old Testament tape vaults to uncover new treasures by the carload. Muddy Waters is listed on the front cover and, indeed, 12 of the 16 songs here are played in his company, most of it in the unusual role of backup musician to Spann. The compilation begins with five songs from a Martin Luther King tribute concert in 1968 featuring Spann and Waters on acoustic guitar performing as an "unplugged" duo, including a heartfelt "Tribute to Martin Luther King" standing next to his own tribute to Big Maceo Merriweather, "Worried Life Blues"…

Walking the Blues is arguably the finest record Otis Spann ever cut, boasting 11 cuts of astounding blues piano. On several numbers, Spann is supported by guitarist Robert Jr. Lockwood and their interaction is sympathetic, warm, and utterly inviting. Spann relies on originals here, from "Half Ain't Been Told" to "Walking the Blues," but he also throws in a few standards ("Goin' Down Slow," "My Home Is in the Delta") that help draw a fuller portrait of his musicianship. Most importantly, however, is the fact that Walking the Blues simply sounds great - it's some of the finest blues piano you'll ever hear.

This is the deep blues featuring arguably Chicago's greatest blues pianist playing with one of the best bands Muddy Waters ever fronted. Besides Otis and Muddy(who only plays on a few tracks) the band features Sammy Lawhorn on one lead guitar, Luther Georgia Boy Snake Johnson on the other lead, Mac Arnold on the electric bass, Francis Clay on the drums and George Smith on the harmonica. If you know anything about the history of the Chicago blues in the sixties, all of these names should be familiar. These guys are great individual players and a great tight band. This is the quintessential Chicago sound. These guys know when to fill, when to lay out and when to just plain let it all out. They can solo for two measures or take their time. This is an almost perfect blues band. At the center of the sound is Otis with his great soulful voice and his wonderful playing.