With 63 tracks and a total running time of just under four hours, Dust On The Nettles examines the metamorphosis that British folk underwent during the late 1960s, when the influence of psychedelia and the counterculture saw the idiom being twisted into all kinds of new and exotic shapes, as the finger-in-the-ear folk clubs of yore were inexorably drawn into a brave new world of Arts Labs, free festivals and the nascent college/university circuit.
The early 80's is now a quarter of a century ago! Whilst there have been many 80's compilations we feel now is a good time to release an `edgier', cooler tracklisting highlighting some of the artists and tracks that may not be as familiar, but still defined the times. Many of these tracks have only previously been available on vinyl. "Great mix of eighties music that goes that little bit deeper then the usual eighties collection. A mix of classic eighties and the obscure. I would strongly recommend this to anyone who wants to relive that eighties feeling".
Galaxy-Lin were a side project of Dutch superstars Shocking Blue, and is a mix of progressive rock and vocal pop tracks. One unique aspect is the use of mandolin as a lead instrument…
Prior to this moment, only in our wildest and sauciest dreams could we picture Sufjan Stevens, Björk, Brad Mehldau, Prince and James Taylor rolling around together. Nonesuch Records, however, has made our dreams a reality.
Joni Mitchell covers dot the musical landscape the way Tim Hortons doughnut shacks line the highways of Ontario. It's a little surprising, then, that the first Mitchell tribute album to be released on a major U.S. label didn't emerge until 2007, which was coincidentally the same year Mitchell was scheduled to release Shine, her first studio effort to appear in some ten years. And as far as tribute albums go, A Tribute to Joni Mitchell isn't half bad. The compilation is split up between songs that were recorded specifically for the tribute album, such as Sufjan Stevens' "A Free Man in Paris," and those that were recorded and released previously, such as James Taylor's "River"…
Maar liefst 14 cd's met daarop verzameld het mooiste uit 20 jaar Top 2000. De cd's zijn gerangschikt naar de periode van waaruit de nummers komen: de 50, de 60,'s, de 70's, de 80. de 90's, de 00's en de 10's. Daarnaast is er nog een dubbelcd met daarop Long Versions van een aantal classic Top 2000 nummers.
Johnny Cash was one of the most imposing and influential figures in post-World War II country music. With his deep, resonant baritone and spare percussive guitar, he had a basic, distinctive sound. Cash didn't sound like Nashville, nor did he sound like honky tonk or rock & roll. He created his own subgenre, falling halfway between the blunt emotional honesty of folk, the rebelliousness of rock & roll, and the world-weariness of country. Cash's career coincided with the birth of rock & roll, and his rebellious attitude and simple, direct musical attack shared a lot of similarities with rock. However, there was a deep sense of history – as he would later illustrate with his series of historical albums – that kept him forever tied with country. And he was one of country music's biggest stars of the '50s and '60s, scoring well over 100 hit singles…
It's a statement of Johnny Cash's longevity that the eight albums collected here – each one a concept collection devoted to American historical themes – were considered worthy and viable commercial releases back when, and that most were very successful. This four-CD set assembles Ride This Train, Blood, Sweat and Tears, Bitter Tears, Ballads of the True West, Mean as Hell! (Johnny Cash Sings Ballads from the True West), America: A 200 Year Salute in Story and Song, From Sea to Shining Sea, and The Rambler, all in one place. They fit together as a body of work, and he put a lot of heart into all of these songs individually…
Mr. Waldeck proudly presents Grand Casino Hotel, his 6th studio album and by far his most cineastic.
On paper, it’s an unlikely pairing: Leon Bridges, classic soul revivalist and late-’50s throwback, cutting a record with Khruangbin, forward-leaning, genre-allergic instrumental trio. But before they’d ever met—at the first in a slew of tour dates they’d play together in late 2018—Bridges had been writing to the sound of Khruangbin’s breakthrough LP Con Todo El Mundo. “I really love their kind of minimalist approach to instrumentation, just like the style of it,” Bridges tells Apple Music. “It’s very soulful.” The attraction was mutual. As the tour unfolded, Khruangbin approached Bridges with new music that seemed to call out for a vocal—a recording they’d given the working title “Awesome Guitar Loop.” “We sent it to him and then literally the next day he came back with words on it,” bassist Laura Lee says. “That was the beginning.”