Whether it’s the cynicism that comes from living in the shadow of Hollywood or the crushing boredom of it being sunny all the time, there’s something about Southern California that makes it a haven for goths. That morbid streak runs throughout the self-titled full-length from L.A. Witch, a garage-rock trio whose music sounds like it should be blaring from a ghostly Thunderbird as it disappears into the midnight mist.
Eagerly anticipated album by Georgia’s Giya Kancheli (“the most important composer to have emerged from the former Soviet Union since the death of Shostakovich.” – Time Magazine), released in the year of his 70th birthday. This disc features one of Kancheli’s most ardent champions, the great violinist Gidon Kremer., who plays in duo with his old comrade, Russian pianist Oleg Maisenberg on the 26 minute 'Time… and again”, and leads the Kremerata Baltica on “V & V” for violin, taped voice, and string orchestra.
Recording live at Los Angeles' Roxy club – then a showcase for many of the hottest acts in pop – was just the tonic that George Benson and his Breezin' band needed on this often jumping album. With unusually lively crowds (for a record-industry watering hole) shouting encouragement, the band gets deep into the four-on-the-floor funk and Benson digs in hard, his rhythmic instincts on guitar sharp as ever. The balance between vocals and instrumentals is about even – George's voice sounds more throaty and soul-oriented than before – and amid the new material, there is a revisit to a favored CTI-era instrumental, the lovely "Ode to a Kudu."