The Brothers Johnson Light Up The Night

Light Up the Night marked the end of an era for the Brothers Johnson – it was the last of four albums that Quincy Jones produced for the Los Angeles siblings, and it was the last time a Brothers Johnson album was truly excellent instead of merely decent. When Jones was producing the Brothers Johnson's albums from 1976-1980, he gave them something their subsequent albums lacked – consistency. Even though George and Lewis Johnson recorded some decent material after Light Up the Night, none of their post-Jones albums had the type of consistency that Jones gives this 1980 release. The album gets off to an impressive start with the major hit "Stomp!" (a definitive example of the smooth, sleek brand of funk that was termed sophisticated funk in the late '70s and early '80s), and the tracks that follow are equally memorable. From the sleek sophisti-funk of "You Make Me Wanna Wiggle," "This Had to Be" (which was co-written by Michael Jackson and employs him as a background vocalist), and the title song to the tender R&B/pop ballads "Treasure" and "All About the Heaven," Light Up the Night is without a dull moment.

Through five albums and twelve U.S. R&B charted singles (including the 1977 Grammy-winning global anthem, “Best Of My Love”) released between 1976-1981, The Emotions achieved a level of recognition and success that ensured their place as first tier purveyors of harmonic soul music. The Chicago-based sisters (Wanda, Jeanette and Sheila) developed their distinctive sound as members of the family gospel group, The Hutchinson Sunbeams (with father Joe); after signing with Stax Records’ imprint Volt Records, the trio enjoyed their first Top 10 R&B and Top 40 pop hit with ‘So I Can Love You’ in 1969.

These 20 CDs comprise over 25 hours of music captured on-stage in the 1940s, ‘50s, and ‘60s at KWKH’s legendary Louisiana Hayride radio show. Staged live in Shreveport, the Hayride featured national country music stars, soon-to-be legends, regional break-outs, and talented newcomers. Most of this music has not been heard since the day it was broadcasted.