A companion to the 2015-2016 Country Music Hall of Fame exhibit of the same name, Dylan, Cash and the Nashville Cats: A New Music City is a double-disc history of the moment when country met rock – or when rock met country, as the case might be. In this particular reading of country-rock history, the movement begins in 1966, when Bob Dylan headed down to Nashville to cut Blonde on Blonde with a crew of the city's renowned studio musicians. Prior to that, country could be heard in rock & roll mainly through rockabilly, a music that functions as prehistory on this collection, present through the presence of Sun veteran Johnny Cash but not much else.
Quartet Records and GDM are proud to present a mammoth 3-CD set with the complete, remastered edition of scores by the great Bruno Nicolai from three of the most renowned and lovely mid-sixties Eurospy movies.
Though John Barry achieved popular recognition for the swinging, loungey, noir-ish soundtracks he composed for the James Bond films, he moved to the front rank of film composers with his score for 1966's BORN FREE. Stylistically, the music of BORN FREE is miles removed from Barry's Bond soundtracks, though the composer's fondness for brass fanfares, stirring strings, and lush, intricate charts with stunning dynamic range is still intact. On the whole, however, the music to BORN FREE has a playful, innocent quality, evoking the nature of the wild animals at the film's center. As the movie is set in Africa, Barry employs a range of African percussion instruments, and sections of flute music (which often seem to echo the sounds of birds or other creatures). The arrangements are expansive and sweeping, giving rise to the sensation of open plains, and Barry's recurring musical themes parallel the film's action (the track titles indicate plot events). The score is, for the most part, surprisingly subdued, with occasional bursts of energy (mirroring tumultuous events onscreen) and its stirring title theme the exceptions. Barry won an Academy Award for the score in 1966.
UK-only five CD box set containing a quintet of albums from this influential singer/songwriter housed in mini-LP sleeves. Includes the albums Tim Buckley (1966), Goodbye And Hello (1967), Blue Afternoon (1969), Happy Sad (1969) and Lorca (1970). Happy!!! NOT Sad! Prime Tim Buckley finally available. Today I just ran across this listing in Amazon and ordered it within seconds. So I cannot comment on the packaging or sound quality, but being issued by Warner Brothers UK, I am confident that both will be excellent. What I can comment on is: finally, to my ears, the single best Tim Buckley album "Blue Afternoon" is back in print after years of being unavailable. "Blue Afternoon," although comprised of so-called "leftovers" as far as Buckley was concerned, has always been my favorite Buckley album, which I purchased when it came out in 1969.