The Chemical Brothers Born

The Chemical Brothers have detailed their new album No Geography and shared the LP’s latest single “Got to Keep On.” The album arrives April 12th via Astralwerks.

For many years, the Charlatans were perceived as the also-rans of Madchester, the group who didn't capture the Zeitgeist like the Stone Roses or the mad genre-bending of Happy Mondays. Of course, they were more traditional than either of their peers. Working from a Stonesy foundation, the Charlatans added dance-oriented rhythms and layers of swirling organs straight out of '60s psychedelia.

A massive compliation of the greatest Industrial, House, Electro, Techno, Euro House, Breakbeat, Hardcore, Acid, Downtempo, New Beat, Hard Trance, Trance, Big Beat, Tech House, Ambient, Synth-pop, Drum n Bass, New Wave music ever made.

On reflection, it's no wonder that so many artists were available for Total Lee: The Songs of Lee Hazlewood. Hazlewood occupies a position in posterity similar to that of the Velvet Underground–ignored by the world at large, but disproportionately adored by fellow musicians. Hazlewood's only glimpse of popular appeal occurred when Nancy Sinatra had a worldwide hit with his "These Boots Are Made For Walking"–a karaoke standard ignored by the 16 artists who appear on this tribute album. What is startling about this fine collection is that a lot of the artists here seem endearingly unable to separate their admiration for Hazlewood's songs from Hazlewood's myth: for most young men who've ever picked up a guitar, Hazlewood's life of meandering from town to town, girl to girl, bottle to bottle, has a certain aspirational quality, and may be the reason why every male artist on this album finds himself, consciously or not, adopting Hazlewood's signature consumptive drawl: The Webb Brothers, Jarvis Cocker and Richard Hawley, Calexico and Erlend Oye are more impersonation than interpretation, but nonetheless engaging.

Marking 40 years of The Jesus And Mary Chain, Glasgow Eyes was recorded at Mogwai’s Castle of Doom studio in Glasgow, where Jim and William continued the creative process that resulted in their previous album, 2017’s Damage and Joy, becoming their highest charting album in over twenty years. What emerged is a record that finds one of the UK’s most influential groups embracing a productive second chapter, their maelstrom of melody, feedback and controlled chaos now informed more audibly by their love for Suicide and Kraftwerk and a fresh appreciation of the less disciplined attitudes found in jazz.

‘Ministry of Sound - The Annual XXV’ embodies the sound of the world’s most famous club and dance music at large, over the last quarter of a century. It features 66 huge tracks from global stars like Stardust, Faithless, Underworld, Todd Terry, Fatboy Slim, David Morales, Roger Sanchez, Eric Prydz, Groove Armada and many more and reminds us once again of the huge impact Ministry of Sound has had on the musical landscape.