The Complete Lyrics

First-ever complete anthology of teenage American band who recorded an unreleased, heavily Beatles-influenced album at Abbey Road in 1969. Includes the full album, outtakes, demos, alternative versions, solo recordings and no less than eleven previously unissued tracks. After a locally-recorded demo attracted the interest of Capitol Records, The Aerovons – Beatles-obsessed teenagers from St. Louis, Missouri - persuaded the company to let them approach EMI with a view to recording at Abbey Road. Three separate visits to England followed, with an impressed EMI overseeing an Aerovons album, recorded March-June 1969 in between the group's trips to Carnaby Street and starstruck encounters with various Beatles and Hollies members.

Two CD set. The Misunderstood must rank as one of the greatest cult bands of the '60 psychedelia era. The band began forging their innovative sound in Riverside, California, where they were discovered by DJ John Peel (then working in the US as John Ravenscroft). Having cut a few recordings locally, the band relocated to the UK on Peel's recommendation. In London, The Misunderstood signed to Fontana Records to cut what are considered six landmark tracks. Issued that December, 'I Can Take You To The Sun' remains a high watermark of the original psychedelia era and was backed by an explosive version of Bo Diddley's 'Who Do You Love', but the band broke up soon afterwards when singer Rick Brown was drafted. A second single, the blistering psych rock of 'Children Of The Sun' (backed by the anti-war gem 'I Unseen') was belatedly issued in February 1969 when a new line-up of the band re-signed to the label. In 1982, Cherry Red released the landmark compilation LP, Before The Dream Faded, which not only unveiled two further Fontana recordings, the high octane 'Find The Hidden Door' and 'My Mind' but also collated seven archive tracks from the band's Riverside days. Since then, additional recordings have surfaced on various retrospectives. Children Of The Sun finally assembles The Misunderstood's entire known output from 1965-1966 onto one package, suitably re-mastered by Alec Palao. With incisive sleeve-notes from Mike Stax (Ugly Things) and involvement with various original band members, and a handsome design from Andy Morten (Shindig!), this is truly the definitive document of a legendary underground band, assembled by those who love their music.

A righteous 6CD Clamshell Box Set collecting the complete EMI Recordings of The Auteurs across 125 tracks. Featuring all four albums by The Auteurs, along with Luke’s side project (the self-titled) Baader Meinhof album, ‘Das Capital’ and a stack of fantastic B-Sides, bonus tracks, demos and other delights.

Two CD set. The Misunderstood must rank as one of the greatest cult bands of the '60 psychedelia era. The band began forging their innovative sound in Riverside, California, where they were discovered by DJ John Peel (then working in the US as John Ravenscroft). Having cut a few recordings locally, the band relocated to the UK on Peel's recommendation. In London, The Misunderstood signed to Fontana Records to cut what are considered six landmark tracks. Issued that December, 'I Can Take You To The Sun' remains a high watermark of the original psychedelia era and was backed by an explosive version of Bo Diddley's 'Who Do You Love', but the band broke up soon afterwards when singer Rick Brown was drafted. A second single, the blistering psych rock of 'Children Of The Sun' (backed by the anti-war gem 'I Unseen') was belatedly issued in February 1969 when a new line-up of the band re-signed to the label. In 1982, Cherry Red released the landmark compilation LP, Before The Dream Faded, which not only unveiled two further Fontana recordings, the high octane 'Find The Hidden Door' and 'My Mind' but also collated seven archive tracks from the band's Riverside days. Since then, additional recordings have surfaced on various retrospectives. Children Of The Sun finally assembles The Misunderstood's entire known output from 1965-1966 onto one package, suitably re-mastered by Alec Palao. With incisive sleeve-notes from Mike Stax (Ugly Things) and involvement with various original band members, and a handsome design from Andy Morten (Shindig!), this is truly the definitive document of a legendary underground band, assembled by those who love their music.

The Searchers - still with stalwart members John McNally and Frank Allen in their line-up - recently announced they would retire at the end of March 2019, bringing to an end an astonishing unbroken run of around sixty years for one of the most influential and enduring groups in British pop history. One of the more introspective acts to emerge from the Merseybeat group wars of the early Sixties, The Searchers' high vocal harmonies, jingle-jangle guitars and tales of male vulnerability saw them notch a trio of UK No. 1 singles and several popular EPs and albums, with debut LP "Meet The Searchers" spending an incredible ten months in the listings. But although their chart statistics were impressive, The Searchers' place in the rock history books owes at least as much to their seismic level of influence, with the likes of 'Needles And Pins' and the peerless 'When You Walk In The Room' providing The Byrds - and, by extension, the likes of Tom Petty, REM and a whole host of skinny-tied power poppers - with their musical template. Although the group made some fine records throughout their prodigious career, their peak period in terms of sales, influence and musical excellence occurred during a dazzling four-year mid-Sixties spell with the Pye label. The first-ever complete anthology of one of British pop's most pivotal catalogues, the 6-CD set When You Walk In The Room assembles all of the group's Pye recordings, with mono and stereo versions of their albums joined by studio outtakes, foreign language recordings and, on the sixth disc, a treasure trove of non-LP singles and EP tracks. Housed in a clambox design that includes a 36 page booklet with a new 6000 word essay on the band, When You Walk In The Room is a sumptuous tribute to an act who, for a glorious year or two, were arguably the country's only serious rivals to The Beatles. The Searchers are currently on an extensive farewell tour throughout the UK and then they will be retiring! Catch 'em live for the final time if you can and then purchase this amazing career retrospective.

The Natural Four began their quest for stardom in Oakland, CA, in the mid-'60s, landing their first deal with a local outfit called Boola Boola Records. Initially, they had two 1969 releases on Boola Boola – "You Did This for Me" and "Why Should We Stop Now" – that did well in the San Francisco/Oakland area. ABC Records took over distribution and pushed "Why Should We Stop Now" to number 31 R&B in 1969. At this junction the group consisted of lead singer Chris James, Allen Richardson, John January, and Al Bowden.
Three more releases followed on ABC: "The Same Thing in Mind," an old Boola Boola track named "I Thought You Were Mine," and a remake of the Temptations' "Message From a Black Man." Nothing approached even the minimal success of "Why Should We Stop Now," and their relationship with ABC ended on a sour note.

THE GATHERING Sand & Mercury - The Complete Century Media Years (2008 issue UK 10-CD album boxset - Including no less than 10 CDs, 'Sand & Mercury' is the perfect overview on the band's years on Century Media Records; besides all the classic albums such as 'Mandylion' or 'Nighttime Birds', this box also includes for the first[and last] time the audio tracks on CD of the legendary show at Dynamo Open Air, which was so far only released on the 'In Motion' DVD.

Four CD set. Best known for their 1965 hit, the brooding garage pop masterpiece 'Take A Heart', Coventry band The Sorrows cut a clutch of similarly vital 45s and the Take A Heart album before frontman Don Fardon left in 1966. While Fardon went on to a solo career, The Sorrows regrouped and moved to Italy, where they had a couple of minor hit singles and released the psych-rock album Old Songs, New Songs before breaking up at the end of the decade. While those two distinct phases of the band have been individually anthologized before, Pink Purple Yellow And Red represents the first time that they have been assembled under one roof, and as such stands as the definitive document of The Sorrows' fascinating career. In addition to those pivotal mid-Sixties singles, the package includes the entire "Take A Heart" album in both mono and stereo, the "Old Songs, New Songs" LP and an earlier acetate-only demo album that was scrapped when two members of the band left. The set also features their collaborations with soundtrack maestro Ennio Morricone, their title song to the Italian spy movie Ypotron, a superb acetate-only early 1968 single, spin-off singles by The Eggy and Renegade, a 1980 live show from the reformed band and, in a thrilling new archival find, four previously unissued 1964 recordings with legendary producer Joe Meek. Housed in a clamshell box, and including a lavish booklet containing many rare photos and a detailed essay on the band's activities, the set Pink Purple Yellow And Red is an essential purchase for anyone with more than a passing interest in Sixties British pop.