The Conjuring (2012)

On March 22, MEGADETH will celebrate its 35th anniversary with the release of "Warheads On Foreheads", a 35-track career retrospective. The anthology spans the band's entire studio recording career, from its first album "Killing Is My Business…And Business Is Good" to its 2016 Grammy Award-winning release "Dystopia", and will be available as a 3-CD set, a 4-LP set and a digital edition via UMe Recordings. "Thirty-five years ago, I chose the name MEGADETH for my band and I see these songs as the most efficient weapons in the band's arsenal," says Dave Mustaine. "'Warheads On Foreheads' is a U.S. military term for targeting efficiency. It's all about using the right tool for the job and these tracks were created for maximum destruction (or stopping power, or something else!)."

With albums as tightly constructed as Minus the Bear's, it's hard to imagine that there's much left over after the recording process is over and done with. Those knotty, intricate albums come at a cost, and songs that once paid the ultimate price in the name of consistency get a second chance on Lost Loves. Resurrecting songs from the recording sessions that spawned 2007's Planet of Ice, 2010's Omni, and 2012's Infinity Overhead, the collection lovingly compiles these nearly forgotten (or at the very least hard to find) gems into what feels more or less like a complete album. And unlike a lot of odds and ends compilations, which often contain at least a few tracks where it's obvious why they were jettisoned from an album, the quality of the tracks on Lost Loves easily stands up to the rest of the band's body of work.

My Winnipeg (2007) [The Criterion Collection #741]
A film by Guy Maddin
DVD9 | Untouched | ISO+MDS | NTSC 1.33:1 (4:3) 720x540 VBR | 80 min | 7.67 GB
Audio: English AC-3 2.0 @ 192 kbps 48.0 kHz | Subtitles: English
Genre: Documentary, Comedy, Drama | Country: Canada

The geographical dead center of North America and the beloved birthplace of Guy Maddin, Winnipeg is the frosty and mysterious star of Maddin’s “docu-fantasia.” A work of memory and imagination, the film burrows into what the director calls “the heart of the heart” of the continent, conjuring a city as delightful as it is fearsome, populated by sleepwalkers and hockey aficionados. Take part in Winnipeg’s epic annual scavenger hunt! Pay your respects to the racehorses forever frozen in the river! Help judge the yearly Golden Boy pageant! What is real and what is fantasy is left up to the viewer to sort out in Maddin’s hypnotic, expertly conceived paean to that wonderful and terrifying place known as My Hometown.