The quintet represented on this album is widely regarded as being one of the most exciting and effective of the Fifties, even though the majority of its work did not come to light until that decade was over. The apparent paradox in that statement is resolved by the fact that this was primarily a recording unit, and although its participants have appeared together publicly in various combinations (most notably Red Garland and John Coltrane), a Red Garland quintet such as is represented here on this record was never a regular working unit.
Johnny Smith is an exquisite jazz guitarist known mostly to fellow musicians and serious jazz fans. This beautifully packaged and expertly annotated eight-CD limited-edition boxed set from Mosaic includes his complete small-group recordings for Roost, most of which have languished out of print for decades. Smith's unique voicings on his instrument set him apart from other players, yet he maintains a lush, crystal-clear tone no matter the tempo or setting.
An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
Wanda Lavonne Jackson is an American singer, songwriter, pianist and guitarist who had success in the mid-1950s and 1960s as one of the first popular female rockabilly singers and a pioneering rock-and-roll artist. She is known to many as the "Queen of Rockabilly" or the "First Lady of Rockabilly". Jackson mixed country music with fast-moving rockabilly, often recording them on opposite sides of a record. As rockabilly declined in popularity in the mid-1960s, she moved to a successful career in mainstream country music with a string of hits between 1966 and 1973, including "Tears Will Be the Chaser for Your Wine", "A Woman Lives for Love" and "Fancy Satin Pillows".
Decca was a fairly wide-ranging label whose trademark sound was a strain of commercially palpable hillbilly pop perfected by producer (and, beginning in 1958, label head) Owen Bradley. These three discs offer an assortment of stars (Patsy Cline, Buddy Holly, Bill Monroe, Loretta Lynn), subordinates, and the uncelebrated. The latter, in fact, are what makes this box stand out. A great deal of the fun comes from antiquated time pieces like Johnny Wright's "Hello Vietnam" ("I hope theworld will come to learn/That fires we don't put out will bigger burn") or that master of the hayseed soliloquy Red Sovine's "If Jesus Came to Your House" ("Would you have to change your clothes before you let him in?/Or hide some magazines and put the Bible where they'd been?"). Overall, From The Vaults serves as an evocative sampler of what a rural jukebox was playing when Gunsmoke ruled the tube.
Mod brings together 4CDs containing 100 tracks that encapsulate the spirit of a sub cultural youth movement that began in London in 1958 focusing on music and fashion.
The complete, legendary recordings made by Ahmad Jamal with the guitarist Ray Crawford in Trio and Quintet context. ‘Listen to the way Jamal uses space. He lets it go so that you can feel the rhythm section and the rhythm section can feel you. It’s not crowded. Ahmad is one of my favourites. I live until he makes another record.’ Miles Davis, 1958. The complete, legendary recordings made by Ahmad Jamal with the guitarist Ray Crawford in Trio and Quintet context. Jamal’s trios are considered to be amongst the most important in the history of jazz, creating unique articulations of space, openness and light, which still seem so far ahead of their time and which made such a profound impression on Miles Davis and his arranger, Gil Evans.
With his odd rhythmic spacing, discordant resolves and his circular yet angular compositional style, Thelonious Monk remains one of the most singular figures in all of jazz, and virtually every one of his recordings is as enigmatic as the pianist himself was. This set combines his five albums for Columbia Records, 1962's Criss Cross and Monk's Dream, 1964's Solo Monk, 1966's Straight, No Chaser, and 1967's Underground, in a single package, and anyone thinking Monk wasn't as vital during those years really needs to hear this stuff. It's classic Monk, and this collection is a great way to get it in a single swoop.
Astell&Kern, the leading hi res portable music player that boasts studio sound quality, has announced a special package partnership with Blue Note Records to commemorate the record company's 75th anniversary in the world of Jazz and Blues. 75 legendary Blue Note jazz albums that have been remastered in the Hi-Res digital format. Especially, five Blue Note albums make their exclusive hi-res audio debuts with this release: Art Blakey & The Jazz Messengers' Mosaic, Tina Brooks' True Blue, Don Cherry's Complete Communion, Andrew Hill's Point Of Departure, and Bobby Hutcherson's Components.